The project CONVERSION refers to the life of a modern man as it is in the age of the world web and new gadgets. The artists compare the globalization of information networks to the conversion to some new 'religion' where the scope of information available in the virtual space is a new presiding deity.
The project CONVERSION includes sculptures and bas-reliefs, in which figures of 'Neo-Apostles' appear as the bearers of a new sacred knowledge manifested in the stream of virtual information. The display also includes 'wooden remnants' of Noah's Ark, with familiar icons from smartphone screens identifiable in its fragments. To make sculptures of the presumed 'saints', the preachers of the new technologies, as well as multi-figured bas-reliefs the artists make use of polyurethane, plastic mesh, rubber, polyethylene and new technologies. Rubbish becomes art to be kept for future generations, while the artists seek to give their viewers an idea of the future traces to be left by the paradoxes of our own age, of what will go down in history. Their sculptures and bas-reliefs take on the appearance of ancient monuments that display the ravages of time, as if artifacts from some lost and forgotten civilization.
The forms and compositions of CONVERSION project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.
There are more photos of the exhibit in my Collateral Album for that year. --- ---- --- www.flickr.com/photos/136891509@N07/albums/72157660558082689
© All Rights Reserved
The project CONVERSION refers to the life of a modern man as it is in the age of the world web and new gadgets. The artists compare the globalization of information networks to the conversion to some new ‘religion’ where the scope of information available in the virtual space is a new presiding deity.
The project CONVERSION includes sculptures and bas-reliefs, in which figures of ‘Neo-Apostles’ appear as the bearers of a new sacred knowledge manifested in the stream of virtual information. The display also includes ‘wooden remnants’ of Noah’s Ark, with familiar icons from smartphone screens identifiable in its fragments. To make sculptures of the presumed ‘saints’, the preachers of the new technologies, as well as multi-figured bas-reliefs the artists make use of polyurethane, plastic mesh, rubber, polyethylene and new technologies. Rubbish becomes art to be kept for future generations, while the artists seek to give their viewers an idea of the future traces to be left by the paradoxes of our own age, of what will go down in history. Their sculptures and bas-reliefs take on the appearance of ancient monuments that display the ravages of time, as if artifacts from some lost and forgotten civilization.
The forms and compositions of CONVERSION project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.
There are more photos of the exhibit in my Collateral Album for that year. --- ---- --- www.flickr.com/photos/136891509@N07/albums/72157660558082689
© All Rights Reserved
The project CONVERSION refers to the life of a modern man as it is in the age of the world web and new gadgets. The artists compare the globalization of information networks to the conversion to some new ‘religion’ where the scope of information available in the virtual space is a new presiding deity.
The project CONVERSION includes sculptures and bas-reliefs, in which figures of ‘Neo-Apostles’ appear as the bearers of a new sacred knowledge manifested in the stream of virtual information. The display also includes ‘wooden remnants’ of Noah’s Ark, with familiar icons from smartphone screens identifiable in its fragments. To make sculptures of the presumed ‘saints’, the preachers of the new technologies, as well as multi-figured bas-reliefs the artists make use of polyurethane, plastic mesh, rubber, polyethylene and new technologies. Rubbish becomes art to be kept for future generations, while the artists seek to give their viewers an idea of the future traces to be left by the paradoxes of our own age, of what will go down in history. Their sculptures and bas-reliefs take on the appearance of ancient monuments that display the ravages of time, as if artifacts from some lost and forgotten civilization.
The forms and compositions of CONVERSION project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.
There are more photos of the exhibit in my Collateral Album for that year. --- ---- --- www.flickr.com/photos/136891509@N07/albums/72157660558082689
© All Rights Reserved
The project CONVERSION refers to the life of a modern man as it is in the age of the world web and new gadgets. The artists compare the globalization of information networks to the conversion to some new ‘religion’ where the scope of information available in the virtual space is a new presiding deity.
The project CONVERSION includes sculptures and bas-reliefs, in which figures of ‘Neo-Apostles’ appear as the bearers of a new sacred knowledge manifested in the stream of virtual information. The display also includes ‘wooden remnants’ of Noah’s Ark, with familiar icons from smartphone screens identifiable in its fragments. To make sculptures of the presumed ‘saints’, the preachers of the new technologies, as well as multi-figured bas-reliefs the artists make use of polyurethane, plastic mesh, rubber, polyethylene and new technologies. Rubbish becomes art to be kept for future generations, while the artists seek to give their viewers an idea of the future traces to be left by the paradoxes of our own age, of what will go down in history. Their sculptures and bas-reliefs take on the appearance of ancient monuments that display the ravages of time, as if artifacts from some lost and forgotten civilization.
The forms and compositions of CONVERSION project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.
There are more photos of the exhibit in my Collateral Album for that year. --- ---- --- www.flickr.com/photos/136891509@N07/albums/72157660558082689
© All Rights Reserved
The project CONVERSION refers to the life of a modern man as it is in the age of the world web and new gadgets. The artists compare the globalization of information networks to the conversion to some new ‘religion’ where the scope of information available in the virtual space is a new presiding deity.
The project CONVERSION includes sculptures and bas-reliefs, in which figures of ‘Neo-Apostles’ appear as the bearers of a new sacred knowledge manifested in the stream of virtual information. The display also includes ‘wooden remnants’ of Noah’s Ark, with familiar icons from smartphone screens identifiable in its fragments. To make sculptures of the presumed ‘saints’, the preachers of the new technologies, as well as multi-figured bas-reliefs the artists make use of polyurethane, plastic mesh, rubber, polyethylene and new technologies. Rubbish becomes art to be kept for future generations, while the artists seek to give their viewers an idea of the future traces to be left by the paradoxes of our own age, of what will go down in history. Their sculptures and bas-reliefs take on the appearance of ancient monuments that display the ravages of time, as if artifacts from some lost and forgotten civilization.
The forms and compositions of CONVERSION project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.
There are more photos of the exhibit in my Collateral Album for that year. --- ---- --- www.flickr.com/photos/136891509@N07/albums/72157660558082689
© All Rights Reserved