Color lithograph, 75 signed and numbered impressions; 106.7 x 74.2 cm.

Valerio Adami is an Italian painter. Educated at the Accademia di Brera in Milan , he has since worked in both London and Paris. His art carries obvious influence from Pop Art. He was born in Bologna, and by 1945 he was studying painting from Felice Carena. He was accepted into the Brera Academy in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.

In these early years, Adami's works were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).

In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. From 1985 to 1998, there were four retrospective exhibits of Adami's work in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires.

Jacques Derrida, the famous philosopher, launched an investigation of Adami's works in 'The Truth in Painting', specifically on his use of the frame ('the paregon').

Tags:   valerio adami adami painter 20th century contemporary italian 1980 1980s chiron teaching achilles how to play the lyre lithograph print music mythology new figuration surrealism

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Acrylic on canvas; 78 x 57.9 cm.

Valerio Adami is an Italian painter. Educated at the Accademia di Brera in Milan , he has since worked in both London and Paris. His art carries obvious influence from Pop Art. He was born in Bologna, and by 1945 he was studying painting from Felice Carena. He was accepted into the Brera Academy in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.

In these early years, Adami's works were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).

In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. From 1985 to 1998, there were four retrospective exhibits of Adami's work in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires.

Jacques Derrida, the famous philosopher, launched an investigation of Adami's works in 'The Truth in Painting', specifically on his use of the frame ('the paregon').

Tags:   valerio adami adami painter 20th century contemporary 1983 1980s capriccio public collection surrealism figure music nude

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Acrylic on canvas; 198 x 147 cm.

Valerio Adami is an Italian painter. Educated at the Accademia di Brera in Milan , he has since worked in both London and Paris. His art carries obvious influence from Pop Art. He was born in Bologna, and by 1945 he was studying painting from Felice Carena. He was accepted into the Brera Academy in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.

In these early years, Adami's works were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).

In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. From 1985 to 1998, there were four retrospective exhibits of Adami's work in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires.

Jacques Derrida, the famous philosopher, launched an investigation of Adami's works in 'The Truth in Painting', specifically on his use of the frame ('the paregon').

Tags:   valerio adami adami painter 20th century contemporary italian 1983 1980s self-portrait artist portrait portrait figure portrait surrealism cloisonnism

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Acrylic on canvas; 79 x 103.5 cm.

Valerio Adami is an Italian painter. Educated at the Accademia di Brera in Milan , he has since worked in both London and Paris. His art carries obvious influence from Pop Art. He was born in Bologna, and by 1945 he was studying painting from Felice Carena. He was accepted into the Brera Academy in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.

In these early years, Adami's works were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).

In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. From 1985 to 1998, there were four retrospective exhibits of Adami's work in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires.

Jacques Derrida, the famous philosopher, launched an investigation of Adami's works in 'The Truth in Painting', specifically on his use of the frame ('the paregon').

Tags:   valerio adami adami painter 20th century contemporary italian 1984 1980s early morning public collection surrealism figure animal

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Oil and sand on canvas; 80 x 96.6 cm.

Jankel Adler was a Polish painter and printmaker. Adler was strongly influenced by Picasso and Léger. He enjoyed experimenting with materials, for example sand admixtures. He often painted Jewish subjects, and painted some few abstract compositions.

He was born as the seventh of ten children in Tuszyn, a suburb of Łódź. In 1912 he began training as an engraver with his uncle in Belgrade. He moved in 1914 to Germany where he lived for a time with his sister in Barmen. There he studied at the college of arts and crafts with professor Gustav Wiethücher.

From 1918-1919 he went back to Łódź, where he was joint founder of "Jung Jidysz", a group of avant-garde artists. In 1920 he returned briefly to Berlin; in 1921 he returned to Barmen, and in 1922 he moved to Düsseldorf. There he became a teacher at the Academy of Arts, and became acquainted with Paul Klee, who influenced his work. A painting by Adler received a gold medal at the exhibition “German art Düsseldorf” in 1928.

In 1929 and 1930 he went on study trips in Mallorca and other places in Spain. During the election campaign of July 1932 he published with a group of leftist artists and intellectuals an urgent appeal against the policy of the National Socialists and for communism. As a modern artist, and especially as a Jew, he faced persecution under Hitler's regime which took power in 1933. In that year, two of his pictures were displayed by the Nazis at the Mannheimer Arts Center as examples of degenerate art, and Adler left Germany, staying in Paris where he regarded his exile consciously as political resistance against the fascist regime in Germany. In the years that followed, he made numerous journeys to Poland, Italy, Yugoslavia, Czechoslovakia, Romania and the Soviet Union. In 1937, twenty-five of his works were seized from public collections by the Nazis and four were shown in the Entartete Kunst (Degenerate Art) exhibition in Munich.

With the outbreak of World War II in 1939, he volunteered for the Polish army that had been reconstituted in France; in 1941 he was discharged for health reasons and lived thereafter in Kirkcudbright in Scotland. In 1943 he moved to London. Died in Whitley Cottage near Aldbourne on April 25, 1949 at the age of 53 years and with the bitter knowledge that none of his nine brothers and sisters had survived the Holocaust.

Tags:   jankel adler painter jewish 20th century german polish 1933 1930s the game christie's surrealism portrait figure weimar degenerate

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