© Robert Rath All Rights Reserved
| Make: | Hasselblad |
| Model: | L2D-20c |
| Exposure: | 0.005 sec (1/200) |
| Aperture: | f/2.8 |
| ISO Speed: | 100 |
| Focal Length: | 12.3 mm |
| Lens: | 24.0 mm f/2.8 |
| Image Width: | 1534 |
| Image Height: | 2048 |
| Bits Per Sample: | 8 8 8 |
| Compression: | JPEG (old-style) |
| Photometric Interpretation: | RGB |
| Image Description: |
The tide was neither out nor in and I’m not sure which way the water moved. But the evidence of its daily movement, in and out is clearly evident. It you were unaware of the aerial perspective you might imagine a leaf rotting in the mud or a fallen tree long after being felled. It’s the little ripples that give away the true story as they cut perpendicular to the ebb or flow. I wonder what comes first? Is the bifurcation of paths on the rising tide as the water seeks the lowest path to high ground or the merging of rivulets finding their way back out to sea. |
| Make: | Hasselblad |
| Model: | L2D-20c |
| Orientation: | Horizontal (normal) |
| Samples Per Pixel: | 3 |
| X-Resolution: | 240 dpi |
| Y-Resolution: | 240 dpi |
| Resolution Unit: | inches |
| Software: | Adobe Photoshop 26.3 (Windows) |
| Date and Time (Modified): | 2025:02:04 21:12:35 |
| Artist: | Robert Rath |
| YCbCr Positioning: | Centered |
| Copyright: | (c) 2025 Robert Rath |
| Exposure: | 0.005 sec (1/200) |
| Aperture: | f/2.8 |
| Exposure Program: | Manual |
| ISO Speed: | 100 |
| Sensitivity Type: | Recommended Exposure Index |
| Exif Version: | 0231 |
| Date and Time (Original): | 2024:12:30 14:44:32 |
| Date and Time (Digitized): | 2024:12:30 14:44:32 |
| Offset Time: | +00:00 |
| Offset Time Digitized: | +00:00 |
| Components Configuration: | Y, Cb, Cr, - |
| Exposure Bias: | -1 EV |
| Max Aperture Value: | 2.8 |
| Subject Distance: | 0 m |
| Metering Mode: | Average |
| Light Source: | Cloudy |
| Flash: | No Flash |
| Focal Length: | 12.3 mm |
| Flashpix Version: | 0100 |
| Color Space: | sRGB |
| Focal Plane X-Resolution: | 3047.546763 |
| Focal Plane Y-Resolution: | 3047.546763 |
| Focal Plane Resolution Unit: | cm |
| File Source: | Digital Camera |
| Scene Type: | Directly photographed |
| Custom Rendered: | Normal |
| Exposure Mode: | Manual |
| White Balance: | Auto |
| Digital Zoom Ratio: | 1 |
| Focal Length (35mm format): | 24 mm |
| Scene Capture Type: | Standard |
| Gain Control: | None |
| Contrast: | Normal |
| Saturation: | High |
| Sharpness: | Normal |
| Lens Info: | 24mm f/2.8-11 |
| Lens Model: | 24.0 mm f/2.8 |
| Coded Character Set: | UTF8 |
| Envelope Record Version: | 4 |
| Application Record Version: | 4 |
| Object Name: | Inchydoney Bifurcation |
| Keywords: |
abstract aerial beach bifurcation flats inchydoney ireland sand tidal tides |
| Date Created: | 2024:12:30 |
| Time Created: | 14:44:32+00:00 |
| Digital Creation Date: | 2024:12:30 |
| Digital Creation Time: | 14:44:32+00:00 |
| By-line: | Robert Rath |
| Copyright Notice: | (c) 2025 Robert Rath |
| Caption- Abstract: |
The tide was neither out nor in and I’m not sure which way the water moved. But the evidence of its daily movement, in and out is clearly evident...It you were unaware of the aerial perspective you might imagine a leaf rotting in the mud or a fallen tree long after being felled. It’s the little ripples that give away the true story as they cut perpendicular to the ebb or flow...I wonder what comes first? Is the bifurcation of paths on the rising tide as the water seeks the lowest path to high ground or the merging of rivulets finding their way back out to sea. |
| Global Angle: | 30 |
| Global Altitude: | 30 |
| IPTCDigest: | 424f2d99e7d138ddfac1c4b22150fd54 |
| XMPToolkit: |
Adobe XMP Core 9.1-c002 79.a1cd12f, 2024/11/11-19:08:46 |
| Approximate Focus Distance: | 0 |
| Distortion Correction Already Applied: | True |
| Lateral Chromatic Aberration Correction Already Applied: | True |
| Lens: | 24.0 mm f/2.8 |
| Creator: | Robert Rath |
| Description: |
The tide was neither out nor in and I’m not sure which way the water moved. But the evidence of its daily movement, in and out is clearly evident. It you were unaware of the aerial perspective you might imagine a leaf rotting in the mud or a fallen tree long after being felled. It’s the little ripples that give away the true story as they cut perpendicular to the ebb or flow. I wonder what comes first? Is the bifurcation of paths on the rising tide as the water seeks the lowest path to high ground or the merging of rivulets finding their way back out to sea. |
| Format: | image/jpeg |
| Rights: | (c) 2025 Robert Rath |
| Subject: | abstract |
| Title: | Inchydoney Bifurcation |
| Absolute Altitude: | +30.336 |
| Cam Reverse: | 0 |
| Flight Pitch Degree: | +0.40 |
| Flight Roll Degree: | -12.4 |
| Flight XSpeed: | 0 |
| Flight YSpeed: | 0 |
| Flight Yaw Degree: | -20.5 |
| Flight ZSpeed: | 0 |
| Gimbal Pitch Degree: | -89.9 |
| Gimbal Reverse: | 0 |
| Gimbal Roll Degree: | +0.00 |
| Gimbal Yaw Degree: | +0.50 |
| Relative Altitude: | +116.000 |
| Serial Number: | 493LJAT7AA01TK |
| Lens Info: | 24mm f/2.8-11 |
| Weighted Flat Subject: | inchydoney |
| Color Mode: | RGB |
| ICCProfile Name: | sRGB IEC61966-2.1 |
| Legacy IPTCDigest: | 39173C7B5927152AF95823F3879391B9 |
| Creator Tool: |
Adobe Photoshop Lightroom Classic 14.1.1 (Windows) |
| Metadata Date: | 2025:02:04 21:12:35Z |
| Pick: | 0 |
| Derived From Document ID: |
xmp.did:9d7fc16c-09b6-d34e-a56a-56215533 4772 |
| Derived From Instance ID: |
xmp.iid:9d7fc16c-09b6-d34e-a56a-56215533 4772 |
| Derived From Original Document ID: | 3D5C220BD41F47C01BA5D94A8521C7F8 |
| Document ID: |
adobe:docid:photoshop:84627b49-8e2d-d14b -904f-92b4f70a8f65 |
| Instance ID: |
xmp.iid:32301b35-34d6-e946-8390-7980f3d2 91d8 |
| Original Document ID: | 3D5C220BD41F47C01BA5D94A8521C7F8 |
| Preserved File Name: | DJI_0656.DNG |