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User / david schweitzer / Sets / West Papua | grand valley
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N 482 B 33.7K C 77 E Jan 1, 2024 F Jul 17, 2019
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Dani women with carrying nets prepare a traditional Melanesian cooking pit lined with grass and heated stones of fine grain limestone. The occasion is a traditional pig feast inside the oval courtyard of a Dani compound, set high in a remote corner of West Papua's central highlands at 1600m/5200ft above sea level. Irian Jaya, Indonesia. Digital film scan, semi-automatic Pentax point-and-shoot pocket camera, circa 1996.

The main steam bundle was built up with alternate layers of wet long grass, pork, a whole pig skin with its heavy layer of fat, vegetables, ferns and more heated rocks. Water was poured on the rocks from a gourd to make more steam. Banana leaves were added to several of these layers to help capture the steam.

Smaller grass-wrapped steam bundles containing sweet potatoes, vegetables and other greens from the elaborate gardens nearby were also placed in the pit. One of the small steam bundles can be seen at the centre of activity around the smoldering pit.

This preparatory process took about an hour, then another hour or more for the cooking, and several more hours for food distribution and feasting. The entire process took close to a full day that included a ritualized killing of the piglet with a bow and arrow, a gathering of materials for the earth oven (wood, grass, stones, food), making the fire, and heating the stones.

It is the men's role to kill the pig, make the fire, prepare the heated stones, undo the steam bundles, cut the pig skin into strips with a sharpened bamboo knife, and distribute the food according to a predetermined pattern of exchange and reciprocity among members from this and several other neighbouring compounds.

© All rights to these photos and descriptions are reserved. Any use of this work requires my prior written permission. expl#201

Rethinking Portraiture | Social Documentary | BodyArt


Tags:   Dani courtyard compound valley Balim River West Papua highlands Irian Jaya Indonesia pig pit cooking culture tribe ethnography Guinea bodyart indigenous street documentary portrait clan ethnic Oceania Melanesia tradition People neolithic DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest PhotoJournalism VisualAnthropology vanishing cultures stone age earth oven South Pacific explore analog black&white monochrome film asia bw

N 901 B 163.5K C 89 E Nov 1, 2012 F May 17, 2024
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© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.

A Dani war chief passes through the oval courtyard of a traditional fortress-like compound as he prepares for a ritualized mock battle that is about to take place high in a remote corner of West Papua's central highlands, 1600m/5200ft above sea level - Grand Valley of the Balim River, Irian Jaya, Indonesia. Digital film scan, shot with a Pentax point-and-shoot pocket camera directly under the noonday sun, circa 1996.

Battle Dress
He is adorned with a large decorated bib of nassa (snail) shells, an upturned boar’s tusk nose piece, rare bird-of-paradise plumes and other feathers, a bailer shell chest piece (with smaller shell pieces attached to a tightly woven bush-twine neck band of cowrie shells), an ornamental wristband of finely woven pandanus fibres, arm bands of dog fur, and the iconic long koteka or penis gourd – all part of traditional Dani ornamentation and battle dress. His forehead is smeared with a thick layer of charcoal-blackened pig grease.

Ritualized Warfare
Many Dani elders in the valley today were once engaged in an elaborate system of ritualized warfare, organized around changing political alliances and large shifting confederations across the Grand Valley. War was embedded in Dani culture as a constant and immediate part of everyday life. Brawls, feuds, and wars would begin with conflicts between individuals that would escalate to prolonged intergroup fighting.

Much of the fighting ended in the 1960's under an enforced Indonesian government pacification programme, although it is likely that certain forms of traditional fighting still occurred in isolated pockets of the region up to the late 1990's. Most fighting is now expressed through mock combat rituals that includes women and children in some of the ritualized running patterns.

Trembling on the Edge of Change
The Grand Valley Dani are accomplished gardeners and pig farmers with a sophisticated neolithic (late Stone Age) culture and technology that anthropologists see as "trembling on the edge of change.” Accelerated contact with the outside world is inevitable. The road up from the coast to the highlands and beyond has been under construction for more than two decades and is near completion. Little has been done to prepare indigenous Papuans for the inundation of permanent Asian migrants from other over-populated islands (especially Java) under Indonesia’s official state-sponsored transmigration resettlement programme.

Alienation of the land to foreign mining interests, organized tourism, the advent of cash and alcohol, and expanding state intrusion into indigenous Papuan affairs - all pose a serious challenge to the traditional Papuan way of life and very survival as an independent and culturally distinct indigenous nation.

Repression and Resistance
Indonesian state control in West Papua is particularly reminiscent of earlier times in the Americas and elsewhere when aboriginal peoples were contained through a colonization strategy of political subjugation and cultural assimilation. Indigenous Papuan resistance in the highlands has taken several forms, ranging from mass protests and sporadic hostage-taking to low-level guerrilla warfare and a loosely organized yet persistent political movement for separation and the creation of an independent Papuan state within Indonesia.

At the time of this photoshoot (February 1996), indigenous insurgents of the Free Papua Movement (OPM) had abducted 12 European and Indonesian nationals on a biodiversity research expedition to the highlands in an adjoining tribal region just 70 kilometres away, roughly five days by foot. They were held as hostages in the mountainous forests, moving across rugged ridges and deep river valleys from one makeshift prison camp to another as members of the International Red Cross tried unsuccessfully to mediate the crisis.

Papuan insurgents conducted the raid with bows and arrows and a handful of guns. Indonesian Army Special Forces ultimately launched a militarized hostage rescue operation with helicopter gunships and crack counter-insurgency troops with limited success. The controversial South African mercenary group, Executive Outcomes, provided both training and operational advice. Two of the hostages were executed during the struggle. Organized Papuan resistance continues to this day.

First Contact
The indigenous peoples of West Papua migrated from southeast Asia and the Australian continent about 30,000 to 50,000 years ago during the Ice Age when sea levels were lower and distances between islands were shorter. Western "first contact” with West Papua's Grand Valley Dani was established in 1938 during American-led botanical and zoological expeditions to the central highlands, less than sixty years before this photograph was taken.

About 50,000 Dani now live in small compound clusters or settlements scattered across the fertile and densely-populated "Grand Valley" of the Balim River (about 40 miles long by 10 miles wide) in West Papua's central highlands.

~~~
Ethnographic efforts at demystifying Dani Neolithic cultural practices and ritualized warfare in the region are associated with the early ground-breaking 1961 Harvard-Peabody Expedition. They include anthropologist Karl Heider’s accounts in “The Dugum Dani: A Papuan Culture in the Highlands of West New Guinea,” Aldine Publishing (1970) and “Grand Valley Dani: Peaceful Warriors” (Case Studies in Cultural Anthropology), Wadsworth Publishing (1996); also filmmaker Robert Gardner’s classic ethnographic documentary, “Dead Birds” (1965); and Peter Matthiessen’s “Under the Mountain Wall: A Chronicle of Two Seasons in Stone Age New Guinea,” Viking Press (1962).

expl#40

Documentary Portraiture | National Geographic | BodyArt

Flickr Gallery: The Power of Documentary Portraiture

Tags:   explore Dani warrior courtyard compound valley Balim River West Papua central highlands Irian Jaya Indonesia bird-of-paradise pig pit cooking battle vanishing cultures grand stone age culture tribe ethnography West New Guinea bodyart indigenous street documentary portrait clan warfare ethnic jewelry South Pacific Oceania earth oven cooking pit Melanesia tradition neolithic People DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology PhotoJournalism DocumentaryPortrait StreetPortrait film analog

N 401 B 93.2K C 31 E Nov 1, 2012 F Mar 19, 2023
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© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.

A Dani war chief passes through the oval courtyard of a traditional fortress-like compound as he prepares for a ritualized mock battle that is about to take place high in a remote corner of West Papua's central highlands, 1600m/5200ft above sea level - Grand Valley of the Balim River, Irian Jaya, Indonesia. Digital film scan, shot with a Pentax point-and-shoot pocket camera directly under the noonday sun, circa 1996.

Battle Dress
He is adorned with a large decorated bib of nassa (snail) shells, an upturned boar’s tusk nose piece, rare bird-of-paradise plumes and other feathers, a bailer shell chest piece (with smaller shell pieces attached to a tightly woven bush-twine neck band of cowrie shells), an ornamental wristband of finely woven pandanus fibres, arm bands of dog fur, and the iconic long koteka or penis gourd – all part of traditional Dani ornamentation and battle dress. His forehead is smeared with a thick layer of charcoal-blackened pig grease.

Ritualized Warfare
Many Dani elders in the valley today were once engaged in an elaborate system of ritualized warfare, organized around changing political alliances and large shifting confederations across the Grand Valley. War was embedded in Dani culture as a constant and immediate part of everyday life. Brawls, feuds, and wars would begin with conflicts between individuals that would escalate to prolonged intergroup fighting.

Much of the fighting ended in the 1960's under an enforced Indonesian government pacification programme, although it is likely that certain forms of traditional fighting still occurred in isolated pockets of the region up to the late 1990's. Most fighting is now expressed through mock combat rituals that includes women and children in some of the ritualized running patterns.

Trembling on the Edge of Change
The Grand Valley Dani are accomplished gardeners and pig farmers with a sophisticated neolithic (late Stone Age) culture and technology that anthropologists see as "trembling on the edge of change.” Accelerated contact with the outside world is inevitable. The road up from the coast up to the highlands and beyond has been under construction for more than two decades and is near completion. Little has been done to prepare indigenous Papuans for the inundation of permanent Asian migrants from other over-populated islands (especially Java) under Indonesia’s official state-sponsored transmigration resettlement programme.

Alienation of the land to foreign mining interests, organized tourism, the advent of cash and alcohol, and expanding state intrusion into indigenous Papuan affairs - all pose a serious challenge to the traditional Papuan way of life and very survival as an independent and culturally distinct indigenous nation.

Repression and Resistance
Indonesian state control in West Papua is particularly reminiscent of earlier times in the Americas and elsewhere when aboriginal peoples were contained through a colonization strategy of political subjugation and cultural assimilation. Indigenous Papuan resistance in the highlands has taken several forms, ranging from mass protests and sporadic hostage-taking to low-level guerrilla warfare and a loosely organized yet persistent political movement for separation and the creation of an independent Papuan state within Indonesia.

At the time of this photoshoot (February 1976), indigenous insurgents of the Free Papua Movement (OPM) had abducted 12 European and Indonesian nationals on a biodiversity research expedition to the highlands in an adjoining tribal region just 70 kilometres away, roughly five days by foot. They were held as hostages in the mountainous forests, moving across rugged ridges and deep river valleys from one makeshift prison camp to another as members of the International Red Cross tried unsuccessfully to mediate the crisis.

Papuan insurgents conducted the raid with bows and arrows and a handful of guns. Indonesian Army Special Forces ultimately launched a militarized hostage rescue operation with helicopter gunships and crack counter-insurgency troops with limited success. The controversial South African mercenary group, Executive Outcomes, provided both training and operational advice. Two of the hostages were executed during the struggle. Organized Papuan resistance continues to this day.

First Contact
The indigenous peoples of West Papua migrated from southeast Asia and the Australian continent about 30,000 to 50,000 years ago during the Ice Age when sea levels were lower and distances between islands were shorter. Western "first contact” with West Papua's Grand Valley Dani was established in 1938 during American-led botanical and zoological expeditions to the central highlands, less than sixty years before this photograph was taken.

About 50,000 Dani now live in small compound clusters or settlements scattered across the fertile and densely-populated "Grand Valley" of the Balim River (about 40 miles long by 10 miles wide) in West Papua's central highlands.

~~~
Ethnographic efforts at demystifying Dani Neolithic cultural practices and ritualized warfare in the region are associated with the early ground-breaking 1961 Harvard-Peabody Expedition. They include anthropologist Karl Heider’s accounts in “The Dugum Dani: A Papuan Culture in the Highlands of West New Guinea,” Aldine Publishing (1970) and “Grand Valley Dani: Peaceful Warriors” (Case Studies in Cultural Anthropology), Wadsworth Publishing (1996); also filmmaker Robert Gardner’s classic ethnographic documentary, “Dead Birds” (1965); Peter Matthiessen’s “Under the Mountain Wall: A Chronicle of Two Seasons in Stone Age New Guinea,” Viking Press (1962.

Documentary Portraiture | National Geographic | BodyArt

Tags:   Dani Balim Papua highlands Irian Indonesia culture tribe ethnography anthropology Guinea bodyart indigenous street documentary portrait portraiture clan warfare Pacific Oceania outdoor vanishing cultures war chief cooking pit earth oven Melanesia tradition explore Neolithic stone-age DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology PhotoJournalism people DocumentaryPortrait StreetPortrait film analog asia

N 136 B 37.4K C 27 E Jan 1, 2024 F Jul 18, 2019
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© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.

A Dani war chief passes through the oval courtyard of a traditional fortress-like compound as he prepares for a ritualized mock battle that is about to take place high in a remote corner of West Papua's central highlands, 1600m/5200ft above sea level - Grand Valley of the Balim River, Irian Jaya, Indonesia. Digital film scan, shot with a Pentax point-and-shoot pocket camera directly under the noonday sun, circa 1996.

Battle Dress
He is adorned with a large decorated bib of nassa (snail) shells, an upturned boar’s tusk nose piece, rare bird-of-paradise plumes and other feathers, a bailer shell chest piece (with smaller shell pieces attached to a tightly woven bush-twine neck band of cowrie shells), an ornamental wristband of finely woven pandanus fibres, arm bands of dog fur, and the iconic long koteka or penis gourd – all part of traditional Dani ornamentation and battle dress. His forehead is smeared with a thick layer of charcoal-blackened pig grease.

Ritualized Warfare
Many Dani elders in the valley today were once engaged in an elaborate system of ritualized warfare, organized around changing political alliances and large shifting confederations across the Grand Valley.

War was embedded in Dani culture as a constant and immediate part of everyday life. Brawls, feuds, and wars would begin with conflicts between individuals that would escalate to prolonged intergroup fighting.

Much of the fighting ended in the 1960's under an enforced Indonesian government pacification programme, although it is likely that certain forms of traditional fighting still occurred in isolated pockets of the region up to the late 1990's.

Most fighting is now expressed through mock combat rituals that includes women and children in some of the ritualized running patterns.

Trembling on the Edge of Change
The Grand Valley Dani are accomplished gardeners and pig farmers with a sophisticated neolithic (late Stone Age) culture and technology that anthropologists see as "trembling on the edge of change.”

Accelerated contact with the outside world is inevitable. The road up from the coast up to the highlands and beyond has been under construction for more than two decades and is near completion.

Little has been done to prepare indigenous Papuans for the inundation of permanent Asian migrants from other over-populated islands (especially Java) under Indonesia’s official state-sponsored transmigration resettlement programme.

Alienation of the land to foreign mining interests, organized tourism, the advent of cash and alcohol, and expanding state intrusion into indigenous Papuan affairs - all pose a serious challenge to the traditional Papuan way of life and very survival as an independent and culturally distinct indigenous nation.

Repression and Resistance
Indonesian state control in West Papua is particularly reminiscent of earlier times in the Americas and elsewhere when aboriginal peoples were contained through a colonization strategy of political subjugation and cultural assimilation.

Indigenous Papuan resistance in the highlands has taken several forms, ranging from mass protests and sporadic hostage-taking to low-level guerrilla warfare and a loosely organized yet persistent political movement for separation and the creation of an independent Papuan state within Indonesia.

At the time of this photoshoot (February 1976), indigenous insurgents of the Free Papua Movement (OPM) had abducted 12 European and Indonesian nationals on a biodiversity research expedition to the highlands in an adjoining tribal region just 70 kilometres away, roughly five days by foot. They were held as hostages in the mountainous forests, moving across rugged ridges and deep river valleys from one makeshift prison camp to another as members of the International Red Cross tried unsuccessfully to mediate the crisis.

Papuan insurgents conducted the raid with bows and arrows and a handful of guns. Indonesian Army Special Forces ultimately launched a militarized hostage rescue operation with helicopter gunships and crack counter-insurgency troops with limited success.

The controversial South African mercenary group, Executive Outcomes, provided both training and operational advice. Two of the hostages were executed during the struggle. Organized Papuan resistance continues to this day.

First Contact
The indigenous peoples of West Papua migrated from southeast Asia and the Australian continent about 30,000 to 50,000 years ago during the Ice Age when sea levels were lower and distances between islands were shorter.

Western "first contact” with West Papua's Grand Valley Dani was established in 1938 during American-led botanical and zoological expeditions to the central highlands, less than sixty years before this photograph was taken.

About 50,000 Dani now live in small compound clusters or settlements scattered across the fertile and densely-populated "Grand Valley" of the Balim River (about 40 miles long by 10 miles wide) in West Papua's central highlands.

~~~
Ethnographic efforts at demystifying Dani Neolithic cultural practices and ritualized warfare in the region are associated with the early ground-breaking 1961 Harvard-Peabody Expedition.

They include anthropologist Karl Heider’s accounts in “The Dugum Dani: A Papuan Culture in the Highlands of West New Guinea,” Aldine Publishing (1970) and “Grand Valley Dani: Peaceful Warriors” (Case Studies in Cultural Anthropology), Wadsworth Publishing (1996).

Also worthy of note are filmmaker Robert Gardner’s classic ethnographic film, “Dead Birds” (1965) and Peter Matthiessen’s cogent account of the traditional Papuan pig feast in “Under the Mountain Wall: A Chronicle of Two Seasons in Stone Age New Guinea,” Viking Press (1962.

Documentary Portraiture | National Geographic | BodyArt

Flickr Gallery: The Power of Documentary Portraiture

Tags:   Dani Balim Papua highlands Irian Indonesia culture tribe ethnography anthropology Guinea bodyart indigenous street documentary portrait portraiture clan warfare Pacific Oceania outdoor vanishing cultures war chief cooking pit earth oven Melanesia tradition explore Neolithic stone-age DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology PhotoJournalism people DocumentaryPortrait StreetPortrait analog VanishingCultures black&white monochrome film bw

N 506 B 41.8K C 140 E Dec 1, 1903 F Aug 24, 2024
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© National Geographic Yourshot (Editor's Favourite, July 2018). Story and assignment: “Not Just a Face."

"To possess the world in the form of images is, precisely, to re-experience the unreality and remoteness of the the real." Susan Sontag, On Photography

An elderly Dani woman with a sharpened fire-hardened digging stick pauses for a moment from work in an elaborate sweet potato garden near her compound high in a remote corner of West Papua's central highlands, 1600m/5200ft above sea level - "Grand Valley" of the Balim River, Irian Jaya, Indonesia.

Mourning and Finger Mutilation
The segments of two fingers on each hand were cut off as a child as a traditional form of sacrificial grieving or mourning for a close relative who had died. Most females above the age of about ten have lost four to six fingers in connection with funerals and efforts at impressing, placating or driving away the ghost of the deceased.

Finger mutilation or the traditional practice of chopping fingers off at the first joint is now officially banned, although it seems likely that this longstanding neolithic cultural practice continues today in a few isolated pockets of the region.

Ethnographic accounts indicate that daily life for a woman in Dani culture is largely limited to a routine of drudgery that appears to have a sullen or depressive effect on most women.

The Gardens
The Grand Valley Dani are accomplished gardeners and pig farmers with a neolithic (late Stone Age) culture and technology. They rely on polished stone adzes and axes, sharpened pig tusks, bamboo knives, and fire-hardened digging sticks - tools that are gradually being replaced with iron and steel.

The gardens involve complex mazes of sophisticated irrigation ditches cut deeply across the fertile grand valley floor. The sweet potato (over 70 varieties) accounts for about 90% of their diet. Digging sticks are used to weed and maintain the gardens. Both men and women spend most of their working lives in the gardens.

First Contact
The indigenous peoples of West Papua migrated from southeast Asia and the Australian continent about 30,000 to 50,000 years ago during the Ice Age when sea levels were lower and distances between islands shorter.

Western "first contact” with the Grand Valley Dani was established in 1938 during American-led botanical and zoological explorations the central highlands, less than sixty years before this photograph was taken.

Today, about 50,000 Dani live in small compound clusters or settlements scattered across the fertile and densely-populated "Grand Valley" of the Balim River (about 40 miles long by 10 miles wide) in West Papua's central highlands.

High resolution Noritsu Koki QSS digital film scan, shot with a compact Pentax point-and-shoot film camera. Film developed in a Sulawesi street-corner shophouse, circa 1996.

© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.

~~~

Ethnographic efforts at demystifying Dani Neolithic cultural practices and ritualized inter-clan warfare in the region are associated with the early ground-breaking Harvard-Peabody Expedition of 1961-63. They include:
• Anthropologist Karl Heider’s accounts in “The Dugum Dani: A Papuan Culture in the Highlands of West New Guinea,” Aldine Publishing (1970); and “Grand Valley Dani: Peaceful Warriors” (Case Studies in Cultural Anthropology), Wadsworth Publishing (1996).
•Filmmaker Robert Gardner’s classic social documentary, “Dead Birds” (1965).
•Writer Peter Matthiessen’s gripping first-hand accounts in “Under the Mountain Wall: A Chronicle of Two Seasons in Stone Age New Guinea,” Viking Press (1962).

National Geographic | Social Documentary | Lonely Planet

expl#78

Tags:   Papua Dani Indonesia Balim Irian Jaya Melanesia highlands Oceania indigenous tribe culture ethnic portrait context portraiture street documentary stick clan mourning grieving finger mutilation travel gaze dramatic South Pacific Oceanea Grand Valley vanishing cultures hands DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology DocumentaryPortrait StreetPortrait PhotoJournalism People analog black&white monochrome film bw


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