Fluidr
about   tools   help   Y   Q   a         b   n   l
User / david schweitzer / Sets / Kara
10 items

  • DESCRIPTION
  • COMMENT
  • O
  • L
  • M

A Karo elder surveys the settlement's sorghum fields along the banks of the Omo River, having just returned from a morning's work in the gardens. Sorghum is a tropical drought-resistant millet-like cereal grain that can be processed in a variety of ways, including fermentation into a juice or type of sorghum beer.

This Kara (Karo) settlement is set high on the east bank of the river in a remote corner of southwestern Ethiopia. The Nyangatom (past enemies, current allies) are established on other side of river. The river curls south and carves a course through the volcanic-rock floor of the Great Rift Valley for another 50-60 kilometres before pouring into Lake Turkana at the Kenyan border.

The clay hairbun with ostrich feathers signifies bravery and the killing of an enemy or a dangerous wild animal. This Kara elder earned high status in the community, in part, for having killed a lion many years ago.

Spears and other traditional weapons in the region were replaced with automatic rifles in the 1980s when they became more readily accessible during the decades-long civil war in neighbouring Sudan. Automatic weapons in circulation in the Horn today are also accessible through other channels, including the flow of small arms and ammunition from the longstanding wars across the border in Somalia and nearby northern Uganda. SKS and AK-47 assault rifles were easily available, relatively cheap and easy to use. Large numbers of automatic weapons were also imported from the USSR to Communist allies around the world during the Cold War, including Ethiopia.

SKS semi-automatic Russian-made rifles like the one in this photograph was a precursor to the AK-47 and were widely available after the fall of the Derg, the Communist military junta that ruled Ethiopia under Mengistu Haile Mariam from 1974 to 1987. The consequent disbanding of the army and police force likely produced a flood of automatic weapons on the market. They became accessible in part through established tribal links with arms dealers in the Ethiopian highlands further to the east of the Omo Basin and elsewhere.

Peoples of the Lower Omo Valley on Flickriver

Tags:   Omo ethiopie ethnic indigenous tribe people faces of Africa Ethiopia afrique africa african omovalley david schweitzer rifle portrait ostrichfeathers ostrich clay elder man karo kara hornofafrica headdress hairbun gun feather eastafrica tribal warrior sorghum omoriver kalashnikov fighting hamar guard ethnicjewellery decoration bun bodyart assault flickrAwardGallery wow! Gallery_Of_Fantastic_Shots ayr_photos_contest_ethnos

  • DESCRIPTION
  • COMMENT
  • O
  • L
  • M

Kara (Karo) settlement set high on the east bank of the lower Omo River in southern Ethiopia. Paint consists of ground white chalk from Ethiopia's lower Omo Basin, mixed with water and applied with a small stick. Colourful glass-beaded necklaces and decorated goat-skin clothing of this kind are also worn by other ethnic groups in the region.

Tags:   GETTY IMAGES jewellery indigenous facesofafrica ethnic ethiopie ethiopia eastafrica woman karo kara facialmarkings paint markings necklaces afrique africa african omovalley omo portrait portraits Horn of Africa ethnic jewellery david schweitzer people

  • DESCRIPTION
  • COMMENT
  • O
  • L
  • M

Kara (Karo) settlement set high on the east bank of the lower Omo River in southeastern Ethiopia. Adorned with cowrie-shell collar, glass-bead necklaces, goatskin clothing, ostrich feather and finger-painted chalk facial markings. Paint consists of water mixed with ground white chalk from Ethiopia's Omo Basin.

The Nyangatom (past enemies, current allies) are established on other side of river. The river curls south as it carves a course through the volcanic-rock floor of the Great Rift Valley for another 50-60 kilometres before pouring into Lake Turkana at the border with northern Kenya.

Tags:   brass bracelets Ethiopia cowrieshell woman portrait people omovalley omo necklaces jewellery indigenous hornofafrica glassbead girl facesofafrica ethnicjewellery ethnic ethiopie eastafrica davidschweitzer decoration beadwork bead afrique african africa paintedface painted paint ostrich mother kara karo facialmarkings cowrie-shell collar bestportraitsaoi galleryoffantasticshots

N 136 B 3.3K C 26 E Feb 20, 2009 F Jun 23, 2024
  • DESCRIPTION
  • COMMENT
  • O
  • L
  • M

Biwa, an esteemed Kara (Karo) elder and charismatic leader, offered this near-surreal pose during preparations for an evening communal dance in Korcho, a small pastoral settlement set high on the east bank of Ethiopia's lower Omo River.

Adorned with finger-painted white-chalk body markings and brass earrings. The ivory lip-button and clay hair bun with ostrich feather reflect a "culture of heroism" shared with other tribes in the region, one that glorifies and rewards individual acts of bravery for the killing of an enemy or a dangerous wild animal.

© All rights reserved

Street Portraiture | Social Documentary | BodyArt

Tags:   kara indigenous africa warrior tribe tribal tradition portrait people pastoral face feather omo man lip-disc lip-plug hairbun fighter ethnic jewellery ethiopia elder chalk brass body culture custom aesthetics documentary karo earrings bodyart faces jewelry DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology PhotoJournalism DocumentaryPortrait StreetPortrait VanishingCultures bodypainting

  • DESCRIPTION
  • COMMENT
  • MAP
  • O
  • L
  • M

Young Kara men (warrior age-group) prepare for an early-evening communal dance in a small settlement (Korcho) set high on the fertile east bank of southern Ethiopia's lower Omo River. Adorned with finger-painted white-chalk body markings, glass-bead necklaces, and clay hair buns with ostrich feathers.

© All rights reserved

Peoples of the Omo Valley


Tags:   kara indigenous africa tribe tradition portrait people pastoral omo nomadic lip-disc lip-plug hairbun ethnic ethiopia custom documentary karo bodyart faces bodypainting DavidSchweitzer DocumentaryPhotography StreetPhotography HumanInterest VisualAnthropology PhotoJournalism DocumentaryPortrait StreetPortrait VanishingCultures dancers culture backlight


50%