youtu.be/-NtMCPmwtYI
The famous byzantine Lamentations of the Tomb of Christ, sung during the Matins of Holy and Great Saturday (Holy Friday evening). The official name of the hymns is "Εγκώμια", which is greek and means "Praises". The Praises (although considered being hymns of lament) are chanted in Plagal 1st and 3rd Tones, which are actually used for chants intended for triumphant occasions. On this performance parts of all three Staseis of the Praise are chanted. Note that in the beginning of each part, the second verse is chanted in arabic.
Title: "Εγκώμια - Α' Στάσις / Β' Στάσις / Γ' Στάσις" (Praises - 1st / 2nd / 3rd Stasis)
Service: Holy and Great Saturday Matins
Performers: Greek Byzantine Choir
.
.
.
photo:
Parekklesion [funerary chapel] of the
Church of the Holy Saviour in Chora, Istanbul
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Chora Museum, Chora Monastery (Contantinople)
Μονή της Χώρας, Μουσείο Χώρας, Κωνσταντινούπολη
Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ
The Church of the Holy Redeemer in the Fields
Church of the Holy Saviour in the Country
Kariye Müzesi, Kariye Camii, Kariye Kilisesi, Istanbul, Turkey
"The first bay of the parekkelsion is covered by a ribbed dome lit by large windows.
The Virgin and Child and Attendant Angels are represented in the western dome. The Virgin appears as the Queen of Heaven at the apex of the dome. Within the dome's segments are twelve angels, who form a sort of guard of honor, wearing brightly colored costumes of the Byzantine court. This frescoed dome is subdivided with ribs providing the flatter surfaces more suitable for fresco.
The Four Hymnographers are seated in the pendentives below the dome. These are Byzantine poets noted for their hymns honoring the Virgin.
John of Damascus, in the northeast pendentive, is the most famous, a theologian active in the eighth century. He is identified by his turban and is depicted writing the Idiomela for the funeral service.
Kosmas the Poet, in the southeast pendentive, a student of John of Damascus, who is shown with an uninscribed book in his lap.
Joseph the Poet, in the southwest pendentive, holding a scroll on which he writes his Canon for the Akathistos Hymn, an addition to the most important Byzantine hymn honoring the Virgin. The verses connect Joseph to the Old Testament scenes depicted below him.
Theophanes Graptos, in the northwest pendentive, a ninth-century writer who was a monk at the Chora. He is shown writing verses from the funeral service, which refer to the adjacent scene of Jacob's Ladder and to the role of the Virgin in salvation."
en.wikipedia.org/wiki/Chora_Church
www.columbia.edu/cu/wallach/exhibitions/Byzantium/
www.byzantium1200.com/chora.html
www.sacred-destinations.com/turkey/istanbul-st-savior-in-...
www.doaks.org/library-archives/icfa/moving-image-collecti...
www.thebyzantinelegacy.com/chora
Tags: Chora Kariye Byzantine church architecture orthodox Χώρα των ζώντων Byzantium murals interior history biserica arhitectura UNESCO World Heritage dome vaulting constantinopolitan bizantin byzantin Byzanz byzantinisch orthodoxy Ορθοδοξία Ορθόδοξος cupola arhitectură bizantină Βασιλεία Ῥωμαίων Ῥωμανία Архитектура Византии Βυζαντινή eastern roman empire museum Constantinople Κωνσταντινούπολις Istanbul mosque monastery Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ The Church of the Holy Redeemer in the Fields Church of the Holy Saviour in the Country Χώρα του Ἀχωρήτου Theodore Metochites Palaeologan Renaissance Palaiologian Renaissance Monastery of Chora Μονή της Χώρας Μουσείο Χώρας Θεόδωρος Μετοχίτης Palaiologos Turkey art Greek fresco frescoes fresca iconography iconografie arch pandantivi pendentive pendentives light parekklesion chapel παρεκκλήσιον geometry Theotokos Θεοτόκος greek churches
youtu.be/P_OD6MkHIxc
Medieval Byzantine Chant, 7th century AD.
Title: "Τη Υπερμάχω Στρατηγώ" (Unto the Defender General)
Service: Akathist Hymn
Performers: Greek Byzantine Choir
Album: "The Akathist Hymn"
Τῇ ὑπερμάχῳ στρατηγῷ τὰ νικητήρια,
Ὡς λυτρωθεῖσα τῶν δεινῶν εὐχαριστήρια,
Ἀναγράφω σοι ἡ Πόλις σου Θεοτόκε.
Ἀλλ᾿ ὡς ἔχουσα τὸ κράτος ἀπροσμάχητον,
Ἐκ παντοίων με κινδύνων ἐλευθέρωσον,
Ἵνα κράζω σοι· Χαῖρε, Νύμφη ἀνύμφευτε.
Unto the Defender General the dues of victory,
and for the deliverance from woes, the thanksgiving
I, Thy city, ascribe Thee, O Theotokos.
And having your might unassailable,
deliver me from all danger
so that I may cry unto Thee:
Rejoice, O Bride unwedded.
.
youtu.be/jdDHGtrunQQ?t=13m42s
Medieval Byzantine Chant dedicated to Virgin Mary.
Title: "Απεστάλη εξ ουρανού" (Sent from the Heavens)
Performers: Greek Byzantine Choir
Album: "Hymns to the Most Holy Theotokos"
.
.
.
photo:
14th century mosaic detail from
north dome of the inner narthex
Church of the Holy Saviour in Chora, Istanbul
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Chora Museum, Chora Monastery (Contantinople)
Μονή της Χώρας, Μουσείο Χώρας, Κωνσταντινούπολη
Kariye Müzesi, Kariye Camii, Kariye Kilisesi, Istanbul
en.wikipedia.org/wiki/Chora_Church
www.columbia.edu/cu/wallach/exhibitions/Byzantium/
www.byzantium1200.com/chora.html
www.sacred-destinations.com/turkey/istanbul-st-savior-in-...
www.doaks.org/library-archives/icfa/moving-image-collecti...
www.thebyzantinelegacy.com/chora
Inner Narthex: Cycle of the Life of the Virgin
Three bays of the inner narthex are devoted to the story of the Virgin, from miraculous birth to miraculous pregnancy. The unfamiliar subject is based on the Protevangelium, or Apocryphal Gospel of St. James, which was widely accepted during the Middle Ages. The Genealogy of Christ fills the two dome mosaics of the inner narthex in the northern and southern bays [7-81]. The mosaic encrusted domes are known as pumpkin domes with undulating, faceted surfaces. The result is multiple curves that capture the light from many angles, creating a shimmering surface and suffusing the interior with a golden glow. The Bust of the Virgin, surrounded by the royal ancestry, is in the north dome and the Bust of Christ is in the south dome.
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Tags: Theotokos Богородица Θεοτόκος Maica Domnului Chora Kariye Byzantine church architecture orthodox mosaic mozaic Byzantium murals interior iconography icon icoana history biserica UNESCO World Heritage constantinopolitan bizantin byzantin Byzanz byzantinisch orthodoxy Ορθοδοξία Ορθόδοξος eikōn arhitectură bizantină Βασιλεία Ῥωμαίων Ῥωμανία Византии Βυζαντινή eastern roman empire museum mosaics Constantinople Κωνσταντινούπολις Istanbul Edirnekapı Deuteron mosque monastery Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ The Church of the Holy Redeemer in the Fields Church of the Holy Saviour in the Country Χώρα του Ἀχωρήτου Theodore Metochites Palaeologan Renaissance Palaiologian Renaissance Monastery of Chora Μονή της Χώρας Μουσείο Χώρας Θεόδωρος Μετοχίτης Palaiologos esonarthex pronaos iconografie Turkey art Greek gold greek churches
youtu.be/P_OD6MkHIxc
Medieval Byzantine Chant, 7th century AD.
Title: "Τη Υπερμάχω Στρατηγώ" (Unto the Defender General)
Service: Akathist Hymn
Performers: Greek Byzantine Choir
Album: "The Akathist Hymn"
Τῇ ὑπερμάχῳ στρατηγῷ τὰ νικητήρια,
Ὡς λυτρωθεῖσα τῶν δεινῶν εὐχαριστήρια,
Ἀναγράφω σοι ἡ Πόλις σου Θεοτόκε.
Ἀλλ᾿ ὡς ἔχουσα τὸ κράτος ἀπροσμάχητον,
Ἐκ παντοίων με κινδύνων ἐλευθέρωσον,
Ἵνα κράζω σοι· Χαῖρε, Νύμφη ἀνύμφευτε.
Unto the Defender General the dues of victory,
and for the deliverance from woes, the thanksgiving
I, Thy city, ascribe Thee, O Theotokos.
And having your might unassailable,
deliver me from all danger
so that I may cry unto Thee:
Rejoice, O Bride unwedded.
.
youtu.be/jdDHGtrunQQ?t=13m42s
Medieval Byzantine Chant dedicated to Virgin Mary.
Title: "Απεστάλη εξ ουρανού" (Sent from the Heavens)
Performers: Greek Byzantine Choir
Album: "Hymns to the Most Holy Theotokos"
.
.
.
photo:
14th century mosaic detail from
north dome of the inner narthex
Church of the Holy Saviour in Chora, Istanbul
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Chora Museum, Chora Monastery (Contantinople)
Μονή της Χώρας, Μουσείο Χώρας, Κωνσταντινούπολη
Kariye Müzesi, Kariye Camii, Kariye Kilisesi, Istanbul
en.wikipedia.org/wiki/Chora_Church
www.columbia.edu/cu/wallach/exhibitions/Byzantium/
www.byzantium1200.com/chora.html
www.sacred-destinations.com/turkey/istanbul-st-savior-in-...
www.doaks.org/library-archives/icfa/moving-image-collecti...
www.thebyzantinelegacy.com/chora
Inner Narthex: Cycle of the Life of the Virgin
Three bays of the inner narthex are devoted to the story of the Virgin, from miraculous birth to miraculous pregnancy. The unfamiliar subject is based on the Protevangelium, or Apocryphal Gospel of St. James, which was widely accepted during the Middle Ages. The Genealogy of Christ fills the two dome mosaics of the inner narthex in the northern and southern bays [7-81]. The mosaic encrusted domes are known as pumpkin domes with undulating, faceted surfaces. The result is multiple curves that capture the light from many angles, creating a shimmering surface and suffusing the interior with a golden glow. The Bust of the Virgin, surrounded by the royal ancestry, is in the north dome and the Bust of Christ is in the south dome.
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Tags: Theotokos Богородица Θεοτόκος Maica Domnului Chora Kariye Byzantine church architecture orthodox mosaic mozaic Byzantium murals interior iconography icon icoana history biserica UNESCO World Heritage constantinopolitan bizantin byzantin Byzanz byzantinisch orthodoxy Ορθοδοξία Ορθόδοξος eikōn arhitectură bizantină Βασιλεία Ῥωμαίων Ῥωμανία Византии Βυζαντινή eastern roman empire museum mosaics Constantinople Κωνσταντινούπολις Istanbul Edirnekapı Deuteron mosque monastery Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ The Church of the Holy Redeemer in the Fields Church of the Holy Saviour in the Country Χώρα του Ἀχωρήτου Theodore Metochites Palaeologan Renaissance Palaiologian Renaissance Monastery of Chora Μονή της Χώρας Μουσείο Χώρας Θεόδωρος Μετοχίτης Palaiologos esonarthex pronaos iconografie Turkey art Greek gold greek churches
youtu.be/-NtMCPmwtYI
The famous byzantine Lamentations of the Tomb of Christ, sung during the Matins of Holy and Great Saturday (Holy Friday evening). The official name of the hymns is "Εγκώμια", which is greek and means "Praises". The Praises (although considered being hymns of lament) are chanted in Plagal 1st and 3rd Tones, which are actually used for chants intended for triumphant occasions. On this performance parts of all three Staseis of the Praise are chanted. Note that in the beginning of each part, the second verse is chanted in arabic.
Title: "Εγκώμια - Α' Στάσις / Β' Στάσις / Γ' Στάσις" (Praises - 1st / 2nd / 3rd Stasis)
Service: Holy and Great Saturday Matins
Performers: Greek Byzantine Choir
.
.
.
photo:
Parekklesion [funerary chapel] of the
Church of the Holy Saviour in Chora, Istanbul
www.columbia.edu/cu/wallach/exhibitions/Byzantium/html/bu...
Chora Museum, Chora Monastery (Contantinople)
Μονή της Χώρας, Μουσείο Χώρας, Κωνσταντινούπολη
Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ
The Church of the Holy Redeemer in the Fields
Church of the Holy Saviour in the Country
Kariye Müzesi, Kariye Camii, Kariye Kilisesi, Istanbul, Turkey
"The first bay of the parekkelsion is covered by a ribbed dome lit by large windows.
The Virgin and Child and Attendant Angels are represented in the western dome. The Virgin appears as the Queen of Heaven at the apex of the dome. Within the dome's segments are twelve angels, who form a sort of guard of honor, wearing brightly colored costumes of the Byzantine court. This frescoed dome is subdivided with ribs providing the flatter surfaces more suitable for fresco.
The Four Hymnographers are seated in the pendentives below the dome. These are Byzantine poets noted for their hymns honoring the Virgin.
John of Damascus, in the northeast pendentive, is the most famous, a theologian active in the eighth century. He is identified by his turban and is depicted writing the Idiomela for the funeral service.
Kosmas the Poet, in the southeast pendentive, a student of John of Damascus, who is shown with an uninscribed book in his lap.
Joseph the Poet, in the southwest pendentive, holding a scroll on which he writes his Canon for the Akathistos Hymn, an addition to the most important Byzantine hymn honoring the Virgin. The verses connect Joseph to the Old Testament scenes depicted below him.
Theophanes Graptos, in the northwest pendentive, a ninth-century writer who was a monk at the Chora. He is shown writing verses from the funeral service, which refer to the adjacent scene of Jacob's Ladder and to the role of the Virgin in salvation."
en.wikipedia.org/wiki/Chora_Church
www.columbia.edu/cu/wallach/exhibitions/Byzantium/
www.byzantium1200.com/chora.html
www.sacred-destinations.com/turkey/istanbul-st-savior-in-...
www.doaks.org/library-archives/icfa/moving-image-collecti...
www.thebyzantinelegacy.com/chora
Tags: Chora Kariye Byzantine church architecture orthodox Χώρα των ζώντων Byzantium murals interior history biserica arhitectura UNESCO World Heritage dome vaulting constantinopolitan bizantin byzantin Byzanz byzantinisch orthodoxy Ορθοδοξία Ορθόδοξος cupola arhitectură bizantină Βασιλεία Ῥωμαίων Ῥωμανία Архитектура Византии Βυζαντινή eastern roman empire museum Constantinople Κωνσταντινούπολις Istanbul mosque monastery Ἐκκλησία του Ἅγιου Σωτῆρος ἐν τῃ Χώρᾳ The Church of the Holy Redeemer in the Fields Church of the Holy Saviour in the Country Χώρα του Ἀχωρήτου Theodore Metochites Palaeologan Renaissance Palaiologian Renaissance Monastery of Chora Μονή της Χώρας Μουσείο Χώρας Θεόδωρος Μετοχίτης Palaiologos Turkey art Greek fresco frescoes fresca iconography iconografie arch pandantivi pendentive pendentives light parekklesion chapel παρεκκλήσιον geometry Theotokos Θεοτόκος greek churches
youtu.be/nWsUbdsXLYY
Medieval Byzantine chant (14th century AD).
Title: "Ευλογήσατε τον Κυρίον" (Bless the Lord)
Composer: Maistor Ioannes Koukouzeles
Performers: Greek Byzantine Choir
Album: "Mathimata Maistoros Koukouzele"
youtu.be/G9TT73MODLY
youtu.be/tze8fnpHzwY
Psalm 83 [Greek Septuagint]
"How Beloved Are Thy Dwellings"
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.
.
photo:
13th century parekklesion (side chapel) at Pammakaristos Church
former Monastery of Theotokos Pammakaristos
Church of Theotokos Pammakaristos, Constantinople
present Fethiye Mosque Museum, Istanbul
Fethiye Camii [Mosque of The Conquest]
Çarşamba neighbourhood, Fatih district of Istanbul
Θεοτόκος ἡ Παμμακάριστος
Μονή Παμμακάριστου, Κωνσταντινούπολη
en.wikipedia.org/wiki/Pammakaristos_Church
www.sacred-destinations.com/turkey/istanbul-fethiye-camii
www.thebyzantinelegacy.com/pammakaristos
Cross-in-square
en.wikipedia.org/wiki/Cross-in-square
Tags: Pammakaristos parakklesion παρεκκλήσιον chapel church Fethiye Camii Byzantine architecture orthodox mosaic mozaic Byzantium murals interior icons iconography history biserica arhitectura UNESCO World Heritage dome vaulting constantinopolitan bizantin byzantin Byzanz byzantinisch orthodoxy Ορθοδοξία Ορθόδοξος eikōn cupola Christ Pantocrator Pantokrator Παντοκράτωρ arhitectură bizantină Βασιλεία Ῥωμαίων Ῥωμανία Архитектура Византии Βυζαντινή eastern roman empire museum mosaics Constantinople Κωνσταντινούπολις Istanbul mosque monastery Palaeologan Renaissance Palaiologian Renaissance iconografie Turkey art Greek inscribed greek cross plan cruce greaca inscrisa pandantivi pendentive pendentives cross-in-square brick stone caramida zidarie brickwork gold greek churches