Double exposure taken with a Lomo LC-W camera on redscaled Lomography Metropolis film.
Tags: double exposure Lomo LC-W redscale Lomochrome Metropolis Lomography Lomo LC Wide LC-Wide blend 35mm 17mm full-frame Minigon 1 Ultra-Wide-Angle lens Minigon 17mm superwide ultrawide LC-W Tetenal C41 analogue Univerity of Sheffield
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On Sunday 6th of June I took part in a photo challenge organised by the Sheffield Film Collective. Each participant brought their own 35mm camera and was issued with a 36 exposure colour negative film, we then had 90 minutes to shoot the whole roll on the theme of "The Frame Within the Frame". I used a Minolta Dynax 5, this one was taken through a homemade multicoloured filter.
Tags: Minolta Dynax colour filters Kodak Color Kodak Color Plus minolta dynax film 35mm 135 SLR analogue analog I shoot film film photography Sheffield Film Collective homemade filter Sheffield University Diamond The Diamond contemporaryarchitecture
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Taken with a Zeiss Ikon Colora camera in week 410 of my 52 film cameras in 52 weeks project:
52cameras.blogspot.com/
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Agfa Vista ISO 200 film from Poundland, developed in the Tetenal C41 kit.
Tags: Zeiss Ikon Colora Zeiss Ikon Colora Novar-Anastigmat Novar Anastigmat 1:3.5 f=45mm 45mm f3.5 Pronto Made in Germany German 35mm Tetenal Poundland C41 Agfa Vista Agfa Vista ISO200 ISO 200 color negative colour negative
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Taken with the Koroll 24 camera that I previously used in week 132 of my 52 film cameras in 52 weeks project:
52cameras.blogspot.com/
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
As the name suggests, this model manages to squeeze 24 exposures out of a roll of 120 film, by using a mask to make the image size 3cm x 4cm. The edges of the film are wasted, but by using the "12 frame" backing paper markings twice, 24 exposures are made.
I removed the mask, so the full width of the film is exposed, and the frames overlap, but if a full frame is desired, the film can simply be advanced twice.
The film was Kodak Ektachrome-X ISO 64 slide film (expired 1977), which I cross processed in Tetenal C41 chemistry.
There is virtually no image visible, and the emulsion was bubbly and blistered after processing, something of a technical failure!
Tags: Bencini Koroll 24 xpro medium format medium format Bencini Koroll Korroll 24 Italy Italian Milan Milano 120 roll film glitch damage failure Kodak Ektachrome-X Kodak Ektachrome-X Ektachrome E6 ISO 64 slide expired 1977 cross processed cross processed Tetenal C41
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Taken with the Koroll 24 camera that I previously used in week 132 of my 52 film cameras in 52 weeks project:
52cameras.blogspot.com/
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
As the name suggests, this model manages to squeeze 24 exposures out of a roll of 120 film, by using a mask to make the image size 3cm x 4cm. The edges of the film are wasted, but by using the "12 frame" backing paper markings twice, 24 exposures are made.
I removed the mask, so the full width of the film is exposed, and the frames overlap, but if a full frame is desired, the film can simply be advanced twice.
The film was Kodak Ektachrome-X ISO 64 slide film (expired 1977), which I cross processed in Tetenal C41 chemistry.
There is virtually no image visible, and the emulsion was bubbly and blistered after processing, something of a technical failure!
Tags: Bencini Koroll 24 xpro medium format medium format Bencini Koroll Korroll 24 Italy Italian Milan Milano 120 roll film glitch damage failure Kodak Ektachrome-X Kodak Ektachrome-X Ektachrome E6 ISO 64 slide expired 1977 cross processed cross processed Tetenal C41
© All Rights Reserved