French postcard by A.N., Paris, no. 862. Photo: Pathé Natan.

French actor René Lefèvre (1898-1991) became a star as the working-class hero of the classics Le Million (1931) and Le Crime de Monsieur Lange (1936). He was a ‘quadruple threat’ man: next to as an actor he was also active as a writer, producer, and director.

Tags:   René Lefèvre Vintage Vedette Postcard Postkarte POstale Postkaart Postal Picture Cinema Carte Cartolina Cine Carte Postale Card Celebrity Costume Film Film Star Filmster France Français French 1930s 1940s Movies Movie Star Star Screen SChauspieler Darsteller Ansichtkaart Ansichtskarte Actor Acteur Attore A.N. Pathé Natan Natan Pathé

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French postcard by Rasiogravure A. Breger Frères, Paris for Victor-Hugo Théâtre Pathé Natan. Photo: Raimu in Charlemagne (Pierre Colombier, 1933).

Beloved, down-to-earth character actor Raimu (1883-1946) was one of the major stars of French cinema in the 1930s. He started his career as a comedian at the Folies Bergère and other major Paris venues, and in 1929 he had his breakthrough as a serious actor with his part as César in the Marseille trilogy Marius-Fanny-César by Marcel Pagnol.

Raimu was born as Jules Auguste Cesar Muraire in the harbour town of Toulon, France in 1883. His father was an upholsterer. At the age of 16, he made his stage debut by imitating his comic idols, Félix Mayol and Polin. He went on to perform in dance halls, cafe concerts, and bars in the Provence. His stage name was Rallum, but later he changed it into Raimu. He was sometimes credited as Jules Raimu. He came to the attention of the singer and music hall director Félix Mayol who was also from Toulon. In 1908 Mayol gave him a chance to work as a secondary act in the Paris theaters. Raimu made his film debut in Le fumiste/The Humbug (Gérard Bourgeois, 1912). The following years he appeared in more short silent films but nothing much came of them. After this disappointment, Raimu would not appear on screen for more than a decade. Primarily a comedian, in 1916 writer/director Sacha Guitry gave him significant parts in productions at the Folies Bergère and other major venues. He starred in the premiere of Messager's operetta Coups de roulis in 1928. In 1929, he gained wide acclaim for his serious role as César Olivier in Marcel Pagnol’s play Marius. César is the father of the young sailor Marius. Marius works in his father’s waterfront bar in Marseille, but longs to travel to exotic places with the ship crews that part from the docks. Only his love for the vendor Fanny keeps him on shore. César, with his generous, comic spirit, tries to guide his son. The play was an astonishing success and was soon followed by the plays Fanny and César.

Although he was reluctant about the cinema, Raimu agreed to act in the early sound film Le Blanc et le Noir/Black and White (Marc Allégret, Robert Florey, 1930) written by Sacha Guitry. It was a success. A year later he reprised his role as the grubby, iron-willed César in the film adaptation of Marius (Alexander Korda, 1931), featuring Pierre Fresnay as Marius and co-produced by author Marcel Pagnol. Gary Brumburgh writes at IMDb: “Raimu transferred the role of Cesar brilliantly to film in 1931 and the rest is history. So Marius was soon followed by the sequels Fanny (Marc Allégret, 1932) featuring Orane Demazis, and César (Marcel Pagnol, 1936). According to Brumburgh the three films have been ‘arguably celebrated as the greatest series ever put together’. By his late forties, Raimu had become one of France’s most noted actors, both on stage and in the cinema. His best films include Un carnet de bal/Dance Program (Julien Duvivier, 1937) with Marie Bell, the comedy Gribouille/Heart of Paris (Marc Allégret, 1937) with Michèle Morgan in her first major film role, La Femme du boulanger/The Baker's Wife (Marcel Pagnol, 1938), and L’Arlesienne (Marc Allégret, 1942) with a young Louis Jourdan. In these films, he swayed effectively from humor to great pathos. In 1943, Raimu took a three-year sabbatical from filmmaking when he was invited to join La Comédie Francaise, where he excelled in the plays of Molière. Shortly after making the Fyodor Dostoyevsky adaptation L'homme au chapeau rond/The Eternal Road (Pierre Billon, 1946), Raimu died of a heart attack in Neuilly-sur-Seine. He was interred in the cemetery of his birthplace Toulon-sur-Mer where there is also the Cinéma Raimu Toulon named in his honor. In 1961, the French government honored him with a postage stamp. Raimy was married to Esther Metayer and they had a daughter, Paulette. His grand-daughter Isabelle Nohain created a small museum, le Musée-Espace Raimu in Cogolin, France.

Sources: Gary Brumburgh (IMDb), Hal Erickson (AllMovie), Films de France, Musée Raimu (French), Wikipedia (French and English), and IMDb.

For more postcards, a bio and clips check out our blog European Film Star Postcards.

Tags:   Raimu Actor Film Star French Acteur Francais European Cinema Cine Kino Film Picture Screen Movie Movies Filmster Star Vintage Postcard Carte Postale Cartolina Tarjet Postal Postkarte Postkaart Briefkarte Briefkaart Ansichtskarte Ansichtkaart Charlemagne 1933 A. Breger Frères Victor-Hugo Pathé Natan

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French postcard by Rasiogravure A. Breger Frères, Paris for Victor-Hugo Théâtre Pathé Natan. Photo: Raimu and Marie Glory in Charlemagne (Pierre Colombier, 1933).

Beloved, down-to-earth character actor Raimu (1883-1946) was one of the major stars of the French cinema in the 1930s. He started his career as a comedian at the Folies Bergère and other major Paris venues, and in 1929 he had his breakthrough as a serious actor with his part as César in the Marseille trilogy Marius-Fanny-César by Marcel Pagnol.

Raimu was born as Jules Auguste Cesar Muraire in the harbour town of Toulon, France in 1883. His father was an upholsterer. At the age of 16, he made his stage debut by imitating his comic idols, Félix Mayol and Polin. He went on to perform in dance halls, cafe concerts, and bars in the Provence. His stage name was Rallum, but later he changed it into Raimu. He was sometimes credited as Jules Raimu. He came to the attention of the singer and music hall director Félix Mayol who was also from Toulon. In 1908 Mayol gave him a chance to work as a secondary act in the Paris theaters. Raimu made his film debut in Le fumiste/The Humbug (Gérard Bourgeois, 1912). The following years he appeared in more short silent films but nothing much came of them. After this disappointment, Raimu would not appear on screen for more than a decade. Primarily a comedian, in 1916 writer/director Sacha Guitry gave him significant parts in productions at the Folies Bergère and other major venues. He starred in the premiere of Messager's operetta Coups de roulis in 1928. In 1929, he gained wide acclaim for his serious role as César Olivier in Marcel Pagnol’s play Marius. César is the father of the young sailor Marius. Marius works in his father’s waterfront bar in Marseille, but longs to travel to exotic places with the ship crews that part from the docks. Only his love for the vendor Fanny keeps him on shore. César, with his generous, comic spirit, tries to guide his son. The play was an astonishing success and was soon followed by the plays Fanny and César.

Although he was reluctant about the cinema, Raimu agreed to act in the early sound film Le Blanc et le Noir/Black and White (Marc Allégret, Robert Florey, 1930) written by Sacha Guitry. It was a success. A year later he reprised his role as the grubby, iron-willed César in the film adaptation of Marius (Alexander Korda, 1931), featuring Pierre Fresnay as Marius and co-produced by author Marcel Pagnol. Gary Brumburgh writes at IMDb: “Raimu transferred the role of Cesar brilliantly to film in 1931 and the rest is history. So Marius was soon followed by the sequels Fanny (Marc Allégret, 1932) featuring Orane Demazis, and César (Marcel Pagnol, 1936). According to Brumburgh the three films have been ‘arguably celebrated as the greatest series ever put together’. By his late forties, Raimu had become one of France’s most noted actors, both on stage and in the cinema. His best films include Un carnet de bal/Dance Program (Julien Duvivier, 1937) with Marie Bell, the comedy Gribouille/Heart of Paris (Marc Allégret, 1937) with Michèle Morgan in her first major film role, La Femme du boulanger/The Baker's Wife (Marcel Pagnol, 1938), and L’Arlesienne (Marc Allégret, 1942) with a young Louis Jourdan. In these films, he swayed effectively from humor to great pathos. In 1943, Raimu took a three-year sabbatical from filmmaking when he was invited to join La Comédie Francaise, where he excelled in the plays of Molière. Shortly after making the Fyodor Dostoyevsky adaptation L'homme au chapeau rond/The Eternal Road (Pierre Billon, 1946), Raimu died of a heart attack in Neuilly-sur-Seine. He was interred in the cemetery of his birthplace Toulon-sur-Mer where there is also the Cinéma Raimu Toulon named in his honor. In 1961, the French government honored him with a postage stamp. Raimy was married to Esther Metayer and they had a daughter, Paulette. His grand-daughter Isabelle Nohain created a small museum, le Musée-Espace Raimu in Cogolin, France.

Sources: Gary Brumburgh (IMDb), Hal Erickson (AllMovie), Films de France, Musée Raimu (French), Wikipedia (French and English), and IMDb.

For more postcards, a bio and clips check out our blog European Film Star Postcards.

Tags:   Raimu French Actor Acteur Marie Glory Marie Glory Actress Actrice Film Star Francais European Cinema Cine Kino Film Picture Screen Movie Movies Filmster Star Vintage Postcard Carte Postale Cartolina Tarjet Postal Postkarte Postkaart Briefkarte Briefkaart Ansichtskarte Ansichtkaart Charlemagne 1933 A. Breger Frères Victor-Hugo Pathé Natan

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French postcard by Rasiogravure A. Breger Frères, Paris for Victor-Hugo Théâtre Pathé Natan. Photo: Raimu in Charlemagne (Pierre Colombier, 1933).

Beloved, down-to-earth character actor Raimu (1883-1946) was one of the major stars of the French cinema in the 1930s. He started his career as a comedian at the Folies Bergère and other major Paris venues, and in 1929 he had his breakthrough as a serious actor with his part as César in the Marseille trilogy Marius-Fanny-César by Marcel Pagnol.

Raimu was born as Jules Auguste Cesar Muraire in the harbour town of Toulon, France in 1883. His father was an upholsterer. At the age of 16, he made his stage debut by imitating his comic idols, Félix Mayol and Polin. He went on to perform in dance halls, cafe concerts, and bars in the Provence. His stage name was Rallum, but later he changed it into Raimu. He was sometimes credited as Jules Raimu. He came to the attention of the singer and music hall director Félix Mayol who was also from Toulon. In 1908 Mayol gave him a chance to work as a secondary act in the Paris theaters. Raimu made his film debut in Le fumiste/The Humbug (Gérard Bourgeois, 1912). The following years he appeared in more short silent films but nothing much came of them. After this disappointment, Raimu would not appear on screen for more than a decade. Primarily a comedian, in 1916 writer/director Sacha Guitry gave him significant parts in productions at the Folies Bergère and other major venues. He starred in the premiere of Messager's operetta Coups de roulis in 1928. In 1929, he gained wide acclaim for his serious role as César Olivier in Marcel Pagnol’s play Marius. César is the father of the young sailor Marius. Marius works in his father’s waterfront bar in Marseille, but longs to travel to exotic places with the ship crews that part from the docks. Only his love for the vendor Fanny keeps him on shore. César, with his generous, comic spirit, tries to guide his son. The play was an astonishing success and was soon followed by the plays Fanny and César.

Although he was reluctant about the cinema, Raimu agreed to act in the early sound film Le Blanc et le Noir/Black and White (Marc Allégret, Robert Florey, 1930) written by Sacha Guitry. It was a success. A year later he reprised his role as the grubby, iron-willed César in the film adaptation of Marius (Alexander Korda, 1931), featuring Pierre Fresnay as Marius and co-produced by author Marcel Pagnol. Gary Brumburgh writes at IMDb: “Raimu transferred the role of Cesar brilliantly to film in 1931 and the rest is history. So Marius was soon followed by the sequels Fanny (Marc Allégret, 1932) featuring Orane Demazis, and César (Marcel Pagnol, 1936). According to Brumburgh the three films have been ‘arguably celebrated as the greatest series ever put together’. By his late forties, Raimu had become one of France’s most noted actors, both on stage and in the cinema. His best films include Un carnet de bal/Dance Program (Julien Duvivier, 1937) with Marie Bell, the comedy Gribouille/Heart of Paris (Marc Allégret, 1937) with Michèle Morgan in her first major film role, La Femme du boulanger/The Baker's Wife (Marcel Pagnol, 1938), and L’Arlesienne (Marc Allégret, 1942) with a young Louis Jourdan. In these films, he swayed effectively from humor to great pathos. In 1943, Raimu took a three-year sabbatical from filmmaking when he was invited to join La Comédie Francaise, where he excelled in the plays of Molière. Shortly after making the Fyodor Dostoyevsky adaptation L'homme au chapeau rond/The Eternal Road (Pierre Billon, 1946), Raimu died of a heart attack in Neuilly-sur-Seine. He was interred in the cemetery of his birthplace Toulon-sur-Mer where there is also the Cinéma Raimu Toulon named in his honor. In 1961, the French government honored him with a postage stamp. Raimy was married to Esther Metayer and they had a daughter, Paulette. His grand-daughter Isabelle Nohain created a small museum, le Musée-Espace Raimu in Cogolin, France.

Sources: Gary Brumburgh (IMDb), Hal Erickson (AllMovie), Films de France, Musée Raimu (French), Wikipedia (French and English), and IMDb.

For more postcards, a bio and clips check out our blog European Film Star Postcards.

Tags:   Raimu Actor Film Star French Acteur Francais European Cinema Cine Kino Film Picture Screen Movie Movies Filmster Star Vintage Postcard Carte Postale Cartolina Tarjet Postal Postkarte Postkaart Briefkarte Briefkaart Ansichtskarte Ansichtkaart Charlemagne 1933 A. Breger Frères Victor-Hugo Pathé Natan

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French postcard by Rasiogravure A. Breger Frères, Paris for Victor-Hugo Théâtre Pathé Natan. Photo: Marie Glory in Charlemagne (Pierre Colombier, 1933). Publicity for the release of the film at the Pathé Natan cinema in Lyon as of 22 December 1933.

Tags:   Marie Glory Charlemagne 1930s Vintage Vedette Postcard Postkarte POstale Postkaart Postal Picture Cinema Carte Cartolina Cine Carte Postale Card Celebrity Costume Film Film Star French France Français Française Movies Movie Star Movie Star Screen Schauspielerin Sound Sonore Sonoro Tonfilm Ansichtkaart Ansichtskarte ACtress Actrice Attrice casquette cap Breton striped shirt telnyashka blonde curls canottiere boatneck breton

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