German postcard by Hermann Leiser Verlag, Berlin, no. 3152. Photo: Richard-Oswald-Produktion. Bernd Aldor in Das Bildnis des Dorian Gray/The Picture of Dorian Gray (Richard Oswald, 1917).
Bernd Aldor (1881 - 1950) was a star of the German silent cinema in the 1910s and 1920s, often in films by Richard Oswald or Lupu Pick. Sound film and the Nazi regime broke the career of this Jewish actor.
Tags: Bernd Aldor Bernd Aldor Actor European Film Star Darsteller Schauspieler Acteur Film Cinema Kino Silent Picture Screen Movies Movie Filmster Star Vintage Postcard Postkarte Carte Postale Cartolina Tarjet Postal Briefkarte Ansichtskarte Postkaart Briefkaart Ansichtkaart Das Bildnis des Dorian Gray Hermann Leiser Hermann Leiser Richard Oswald Richard-Oswald-Produktion Sepia Painting Dorian Gray Dorian Gray Oscar Wilde Oscar Wilde Adaptation
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German postcard by Hermann Leiser Verlag, Berlin, no. 3152. Photo: Richard-Oswald-Produktion. Bernd Aldor in Das Bildnis des Dorian Gray (Richard Oswald, 1917), an adaptation of Oscar Wilde's The Picture of Dorian Gray.
Bernd Aldor (1881 - 1950) was a star of the German silent cinema in the 1910’s and 1920’s, often in films by Richard Oswald or Lupu Pick. Sound film and the Nazi regime broke the career of this Jewish actor.
Tags: Bernd Aldor Bernd Aldor Richard Oswald Dorian Gray adaptation Oscar Wilde Vintage Postcard Cinema Film Film Star Movies Movie Star Screen Silent Sepia Schauspieler Darsteller Deutsch Deutschland German Germany Muet Muto Stummfilm Actor Attore Acteur
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German postcard by Verlag Hermann Leiser, Berlin, no. 3151.
Photo: Richard-Oswald-Produktion. Bernd Aldor as Dorian Gray in Das Bildnis des Dorian Gray (Richard Oswald, 1917), an adaptation of Oscar Wilde's The Picture of Dorian Gray.
Bernd Aldor (1881 - 1950) was a star of the German silent cinema in the 1910s and 1920s, often in films by Richard Oswald or Lupu Pick. Sound film and the Nazi regime broke the career of this Jewish actor.
Tags: Bernd Aldor Bernd Aldor 1910s German Germany Deutsch Deutschland Wilhelminian cinema film movies movie star silent screen Stummfilm muet muto actor acteur attore Schauspieler vintage vedette postcard Postkarte postkaart ansichtkaart Ansichtskarte carte postale cartolina tarjet cine Dorian Gray The Picture of Dorian Gray adaptation novel Oscar Wilde Leiser Hermann Leiser
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British postcard in the Rotary Photographic series, no. 106 X. Photo: Burford. Beerbohm Tree as Lord Illingworth in the play A Woman of No Importance (1895) by Oscar Wilde.
Sir Herbert Beerbohm Tree (1852 – 1917) was one of the most famous English actors and theatre managers of the late Victorian and early Edwardian period. In 1895 he put on the first production of A Woman of No Importance, a new play written by Oscar Wilde. Beerbohm Tree also helped the career of George Bernard Shaw, by producing Pygmalion in 1914. His lavish productions with their strong emphasis on the visual can be seen as prefiguring the cinema.The versatile and skilled actor also appeared himself in some early British and American films. He founded the Royal Academy of Dramatic Art in 1904 and was knighted, for his contributions to the theatre, in 1909. Famous film director Carol Reed was one of his illegitimate children and actor Oliver Reed was a grandson.
Tags: Herbert Beerbohm Tree Herbert Beerbohm Tree British Actor Film Star Movie Movies Screen Film Cinema Cine Kino Star Vintage Postcard Picture Filmster Postkarte Tarjet Postal Briefkarte Ansichtskarte Briefkaart Postkaart Rotary A Woman of No Importance Oscar Wilde Oscar Wilde Stage Theater Theatre Burford
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Latvian postcard by EMBR, no. 1213. Photo: Ufa. Brigitte Helm and Sybille Schmitz in Ein idealer Gatte/An Ideal Husband (Herbert Selpin, 1935). Collection: Marlene Pilaete.
German actress Brigitte Helm (1908-1996) is still famous for her dual role as Maria and her double the evil Maria, the Maschinenmensch, in the silent SF classic Metropolis (Fritz Lang, 1927). After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.
Brigitte Helm was born as Brigitte Eva Gisela Schittenhelm in Berlin, Germany, in 1906 (some sources say 1908). Her father was a Prussian army officer, who left his wife a widow not long after. Brigitte gained her acting experience in school productions but never thought of acting classes. After her school exams, she wanted to be an astronomer. But then she was discovered by the famous director Fritz Lang for the lead in Metropolis (Fritz Lang, 1927), then the most expensive German film ever made. Her mother had sent a photograph of her beautiful 16-years-old daughter to Lang's wife, scriptwriter Thea von Harbou. Helm was invited to the set of Die Nibelungen and was given a screen test. She got the double role of the noble and virginal Maria and her evil and sensual twin, the Maschinenmensch, a robot created to urge the workers in revolting and destroy their own city. In their 1996 obituary in The New York Times, Robert McThomas and Peter Herzog note: "The film depicts the world of 2006, a time, Lang envisioned, when a ruling class lives in decadent luxury in the loft heights of skyscrapers linked by aerial railways, while beneath the streets slave-like workers toll in unbearable conditions to sustain their masters. But for all the steam and special effects, for many who have seen the movie in its various incarnations, including a tinted version and one accompanied by music, the most compelling lingering image is neither the towers above nor the hellish factories below. It is the staring transformation of Ms. Helm from an idealistic young woman into a barely clad creature performing a lascivious dance in a brothel." Metropolis made Brigitte Helm a star overnight.
UFA gave Brigitte Helm a contract, and over the next 10 years, she acted in 29 German, French, and English films. She was cast as the evil but oh so seductive protagonist in the Sci-Fi-horror film Alraune. First in the silent version of 1928, directed by Henrik Galeen. Hal Erickson at AllMovie: "Hanns Heinz Ewers' grim science-fiction novel 'Alraune' has already been filmed twice when this version was assembled in 1928. In another of his 'mad doctor' roles, Paul Wegener plays Professor Brinken, the sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions - least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself." Two years later Helm also starred in the sound version, Alraune/A Daughter of Destiny (Richard Oswald, 1930), for which the Dutch postcard lower in this post was made.
Brigitte Helm played a helpless blind woman who is seduced by a rogue in the wartime melodrama Die Liebe der Jeanne Ney/The Love of Jeanne Ney (G.W. Pabst, 1927). It was Brigitte Helm's first project with Georg Wilhelm Pabst, the director who could - better than any other director - bring out her mysterious adaptability. In his films Abwege/The Devious Path (1928) and L’Atlantide/Die Herrin von Atlantis/Queen of Atlantis (1932) she proved that she could perform more restrained and emotionally expressive characters. In Abwege, she portrays a spoilt woman of the world who from sheer boredom almost destroys her own life. In L'Atlantide (1932), Helm plays a goddess, the mere sight of whom makes men crazy. Werner Sudendorff wrote in his obituary of Helm in The Independent: "Her power is not of this world, but incomprehensible, magical. This was Helm's last really great role, a legendary mysterious sphinx of the German cinema." These films and Marcel L'Herbier's late silent film L'Argent/The Money (Marcel L’ Herbier, 1928) allowed Helm to act outside the tired cliches she was later often subjected to by scriptwriters and producers.
Brigitte Helm's first sound film was the musical Die singende Stadt/City of Song (Carmine Gallone, 1930) with Jan Kiepura. She also appeared in the French and English versions of her German films. Werner Sudendorff: "In her films of the early 1930s, Brigitte Helm became the embodiment of the down-to-earth, affluent modern woman. With her slim figure and austere pre-Raphaelite profile, she seems unapproachable, a model fashion-conscious woman, under whose ice-cold outer appearance criminal energies flicker." However, her sound films, like Gloria (Hans Behrendt, 1931), The Blue Danube (Herbert Wilcox, 1932), and Gold/L’Or (Karl Hartl, 1934), do not have the artistic cachet of her best silent films. Her relationship with the Ufa happened to be very rocky. While the studio had made her a star and kept increasing her pay, the actress was unhappy with the material the Ufa offered her and she was annoyed about the restrictive clauses dictating her weight.
Reportedly Brigitte Helm was Josef Von Sternberg's original choice for the starring role of Der Blaue Engel/The Blue Angel (1930), but the part went to Marlene Dietrich. Helm was also James Whale's first choice for his Bride of Frankenstein (1935), but reportedly she refused to go to America. In 1935, angered by the Nazi control of the German film industry, she didn’t extend her contract with the Ufa. Perhaps another reason for her decision were the negative press reports about her many traffic accidents and the short prison sentence as a result of it. Her last film was Ein Idealer Gatte/An Ideal Husband (Herbert Selpin, 1935), an adaptation of the play by Oscar Wilde.
In private, Brigitte Helm was a timid, modest, and not very ambitious personality. In 1935, after a short but prolific career of 32 films, she married Dr. Hugo Von Kunheim, a German industrialist of Jewish descent, and retired. Bruce Eder at AllMovie: "in addition to no longer needing to pursue her acting, with which she was never 100-percent comfortable, she was repelled by the takeover of the German movie industry by the Hitler government. Her marital status, coupled with her anti-Nazi political views, made it impossible for Helm to continue working in movies or living in Germany. From 1935 onward, the couple lived in Switzerland. After the war, they divided their time between Germany and Switzerland, but Helm chose to live quietly and remain anonymous." The pair would raise four children. In 1968 Helm received the Filmband in Gold for “continued outstanding individual contributions to German film over the years". She steadfastly refused to appear in a film again, nor even grant an interview about her film career, but she always answered requests from her old fans for her signature. Brigitte Helm died in 1996 in Ascona, Switzerland. In particular, her Evil Maria won't be forgotten. Apt for her is the Mae West line: "When I am good, I am very good; but when I am bad, I am better."
Sources: Vittorio Martinelli (Le dive del silenzio), Robert McThomas and Peter Herzog (The New York Times), Werner Sudendorff (The Independent), Bruce Eder (AllMovie), Hal Erickson (AllMovie), Thomas Staedeli (Cyranos), Film Reference, Lenin Imports, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Tags: Brigitte Helm Brigitte Helm German Actress Schauspielerin European Film Star Deutsche Darstellerin Sybille Schmitz Sybille Schmitz Cinema Film Kino Cine Picture Screen Movie Movies Star Filmster Silent Sepia Vintage Postcard Postkarte Carte Postale Cartolina Tarjet Postal Postkaart Briefkarte Briefkaart Ansichtskarte Ansichtkaart Ein idealer Gatte 1935 EMBR Ufa Oscar Wilde
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