American Candid Color Card, Beverley Hills, Calif., no. A 39. Photo: Bud Fraker / Paramount. Caption: Bing Crosby, Paramount's great star, and husband of Dixie Crosby, and their four sons: Gary Evan, born June 25, 1933; twins Phillip Land and Dennis Michael, born July 13, 1934, and Lindsay Harry, born Jan. 5, 1938.
American singer Bing Crosby (1903-1977) was a crooner whose signature song was 'White Christmas'. He often played 'happy-go-lucky fellas' in films which included the 'Road to...' comedies from 1940 to 1962, but he proved that he could act with The Country Girl (1954) opposite Grace Kelly. Crosby was a multi-media entertainer: a star on the radio, and in the cinema, with chart-topping recordings. He had 38 no. 1 singles, which surpassed Elvis Presley and The Beatles.
Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, in 1903. He was the fourth of seven children of Catherine Helen "Kate" (Harrigan) and Harry Lowe Crosby, a brewery bookkeeper. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s, Bing's brother Everett sent a record of Bing singing 'I Surrender, Dear' to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in the musical comedy The Big Broadcast (Frank Tuttle, 1932), a film featuring radio favourites. His songs about not needing a bundle of money to make life happy had the right message for the decade of the Great Depression. He was the star of such radio shows as 'Kraft Music Hall' (1935-1946), 'Philco Radio Time' (1946-1949), 'The Bing Crosby Chesterfield Show' (1949-1952), and 'The Bing Crosby Show' (1954-1956). His song 'White Christmas' became the bestselling single for more than 50 years until overtaken in 1997 by 'Candle in the Wind', Elton John's tribute to the late Princess Diana.
Bing Crosby's relaxed, low-key style carried over into the series of 'Road to...' comedies he made with pal Bob Hope and Dorothy Lamour. The series consists of Road to Singapore (Victor Schertzinger, 1940), Road to Zanzibar (Victor Schertzinger, 1941), Road to Morocco (David Butler, 1942), Road to Utopia (Hal Walker, 1946), Road to Rio (Norman Z. McLeod, 1947), Road to Bali (Hal Walker, 1952), and The Road to Hong Kong (Norman Panama, 1962). He won the Best Actor Oscar for playing the easygoing priest Father Chuck O'Malley in Going My Way (Leo McCarey, 1944), and was nominated for his reprise of the role in The Bells of St. Mary's (1945) opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (George Seaton, 1954). Stagecoach (Gordon Douglas, 1966) with Ann-Margret, was his last major film. Though it did not get good reviews, his performance as the drunken doctor was praised. Playing golf was what he liked to do best. Bing Crosby died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium. On 13 October 1977, the day before Crosby's death, independent producer Lew Grade announced that he was reuniting Crosby, Bob Hope, and Dorothy Lamour onscreen for the film Road to the Fountain of Youth, ending several years of speculation as to whether the trio would reunite professionally or not. Bing Crosby was married twice: first, he married film actress Dixie Lee. They had four children and divorced in 1952. He married his second wife, Kathryn Grant, in 1957. They had three children and remained together till his death in 1977. His eldest son Gary Crosby criticised Bing's violent ways as a father in the biography 'Going My Own Way' (1983) which was touted as a "Daddy Dearest". Bing's children from his second marriage, including daughter and actress Mary Crosby, praised him as a kind and loving father in later life. Phil Crosby, Jr., Bing's grandson, formed a jazz quartet in the Los Angeles area and is bringing a semi-resurgence of interest in Bing and his music.
Sources: Dale O' Connor (IMDb), Wikipedia, and IMDb.
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French postcard by Editions P.I., Paris, no. 66 B. Photo: Bud Fraker / Paramount Pictures Inc, 1955.
Swedish film actress, party girl and sex symbol Anita Ekberg (1931-2015) was nicknamed The Iceberg. Miss Sweden 1950 was contracted by Howard Hughes, had a Hollywood career in the 1950s, but got her real breakthrough in Italy. She made film history as the sensual, curvaceous film goddess who dances in the Trevi Fountain in Fellini’s La Dolce Vita (1960). She was also unforgettable as a sexy billboard figure coming to life in Fellini's short film Le Tentazioni del Dottor Antonio/The Temptation of Doctor Antonio (1962).
Kerstin Anita Marianne Ekberg was born in Malmö, Sweden in 1931. She grew up with seven brothers and sisters. Having six brothers around surely developed a fierce independent spirit. In her teens, she worked as a fashion model, and in 1951 she was elected Miss Sweden. That year she also made her film début in the film journal Terras fönster nr 5/Terra Journal No. 5 (Olle Ekelund, 1951). According to several sources, Ekberg then went to the US for the Miss Universe contest - despite not speaking English - where she didn't win but did get a modelling contract. However, Marlene Pilate (La Collectionneuse) recently did extensive research regarding the Miss Universe contests and concluded that Ekberg was not in a Miss Universe contest. However, Anita Ekberg won second place in the European Miss Casino beauty contest which took place in February 1952 in Amsterdam. The winner was the English contestant, Judy Breen, and the Miss Nederland, Betty van Proosdij, who came in third place. Marlene describes her research in an amusing post on Ekberg. Film mogul Howard Hughes gave her a contract with RKO but it didn't lead anywhere. Anita herself later claimed that Hughes wanted to marry her. Instead the voluptuous, husky-voiced blonde started making films for Universal. Her American début was as a Venusian guard in Abbott and Costello Go to Mars (Charles Lamont, 1953). This was soon followed by The Golden Blade (Nathan Juran, 1953) starring Rock Hudson. These were small roles that only required her to look beautiful. She was given the nickname ‘The Iceberg’ - a play on her name as well as her cool, quite mysterious demeanour. While at Universal, Anita Ekberg quickly became one of Hollywood’s hot starlets. She caught the hearts of many famous men including Tyrone Power, Errol Flynn, Frank Sinatra and Gary Cooper. Legendary director and photographer Russ Meyer called her 'the most beautiful woman he ever photographed' and said that her 40D bust line was 'the most ample in A list Hollywood history, dwarfing rivals like Jayne Mansfield'. Soon she became a major pin-up girl for the new type of men's magazine such as Playboy that proliferated in the 1950s. Ekberg also knew how to play the Hollywood tabloids and gossip columnists, creating stunts that she hoped would translate into film roles. Famously, she admitted that an incident where her dress burst open in the lobby of London's Berkeley Hotel was pre-arranged with a photographer. Her two marriages also gave her a lot of attention from the press. She married and divorced British actor Anthony Steel (1956-1959) and actor Rik Van Nutter (1963-1975). And she reportedly had a three-year affair with the late Fiat chairman Gianni Agnelli. The press also loved her saucy quotes, like: “I'm very proud of my breasts, as every woman should be. It's not cellular obesity. It's womanliness.”
Anita Ekberg would get several offers from other studios than Universal. Bob Hope joked that her parents had received the Nobel Prize for architecture when he was touring with her and William Holden to entertain US troops in 1954. The tour led her to a contract with John Wayne's Batjac Productions. Wayne cast her in Blood Alley (William A. Wellman, 1955), a small role where Ekberg's features and appearance were Orientalized to play a Chinese woman. The role earned her a Golden Globe award. Paramount Pictures then cast her in the funny comedies Artists and Models (Frank Tashlin, 1955) and Hollywood or Bust (Frank Tashlin, 1956), both starring Dean Martin and Jerry Lewis. These films showed off her stunning body but also used her as a foil for many of the director's clever sight gags. In 1956, Ekberg went to Rome to make War and Peace (King Vidor, 1956) co-starring Audrey Hepburn. RKO gave Ekberg the female lead in Back from Eternity (John Farrow, 1956), co-starring with Robert Ryan and Rod Steiger. Ekberg was perfectly adequate in her cardboard role and suggested that with a good director and a worthwhile part, she might have something to offer. In the British production Zarak (Terence Young, 1956) starring Victor Mature and Michael Wilding, her sexy harem-girl dance raised many eyebrows and blood pressure. With Bob Hope, she made two minor comedies, Paris Holiday (Gerd Oswald, 1958) and Call Me Bwana (Gordon Douglas, 1963). One of her better films of this period was the film noir Screaming Mimi (Gerd Oswald, 1958). At IMDb, reviewer Lazarillo calls it one of "the missing links between American film noir and the suspense and horror films that would become so popular in continental Europe over the next two decades (i.e. the German 'Krimis', the Italian 'Giallo', the horror films of Bava and Argento). It's technically a late-period Film Noir, but rather than having the traditional pessimistic tone and hard-boiled, voice-over narrative, it is completely off-the-wall and chock-full of the suggested depravity and lurid psycho-babble that would characterize the later European films. Interestingly, it was based on the same Fredric Brown novel as Dario Argento's Bird with Crystal Plumage."
In 1960 Anita Ekberg found herself again in Rome for her greatest role. She played the unattainable ‘dream woman’ Sylvia opposite Marcello Mastroianni in Federico Fellini's La Dolce Vita/The Sweet Life (1960). La Dolce Vita was a sensational success, and Ekberg's uninhibited cavorting in Rome's Trevi Fountain remains one of the most memorable screen images ever captured. Thus began a period when Ekberg would work almost exclusively in Europe. La Dolce Vita was followed by another memorable role for Fellini in his segment La Tentazioni del Dottor Antonio/The Temptation of Doctor Antonio of the anthology film Boccaccio '70 (1962). She plays a gigantic voluptuous lady on a billboard poster, promoting drinking milk and attracting huge crowds. At night she comes to live and pesters the little censor, played by Peppino De Filippo. Fellini would later call her back for two more films: I Pagliacci/I Clowns (Federico Fellini, 1972), and Intervista (Federico Fellini, 1987). In 1964 she returned to Sweden to appear in Bo Widerberg's Kärlek 65/Love 65 (1965), but she cancelled her appearance and called the acclaimed director ‘an amateur’. In 1967 she co-starred with Shirley MacLaine in a segment of Vittorio de Sica’s Woman Times Seven (1967). For much of the 1960s though, she was trapped in substandard genre fare and lame comedies. During the 1970s the roles became less frequent. In 1982, at the age of 50 she posed for glamour photos but in 1987, twenty-seven years after La Dolce Vita, she made a marvellous comeback with Fellini's film autobiography, Intervista (Federico Fellini, 1987), where she played herself in a reunion scene with Mastroianni and watched film clips of herself during her heydays. In 1995 Empire magazine chose her as one of the 100 Sexiest Stars in film history (#98). While she remained active in films into the 1990s, the roles were hardly memorable. Exceptions came with her portrayal of an elderly restaurant owner who is killed in a gas explosion in Bámbola/Doll (Bigas Luna, 1996) featuring Valeria Marini, and her role as an ageing, flamboyant opera star who succumbs to the charms of the titular character in Le nain rouge/The Red Dwarf (Yvan Lemoine, 1998). Still blonde, but a bit heavier, Ekberg was able to project the requisite sensuality and diva-like behaviour resulting in a full-bodied performance that ranked among her best. Her last role in a TV series was in Il bello delle donne/The Beautiful One of the Women (2002) starring Stefania Sandrelli. Anita Ekberg has not lived in Sweden since the early 1950s and rarely visited the country. She has welcomed Swedish journalists into her house outside Rome, and in 2005 appeared in the popular radio program Sommar, talking about her life. She stated in an interview that she would never move back to Sweden until she died when she would be buried there. In 2015, Anita Ekberg died at the clinic San Raffaele in Rocca di Papa, Italy. Her death was caused by complications from a long-time illness. She was 83.
Sources: Hal Erickson (Rovi), Marlene Pilaete (La Collectionneuse - French), Mattias Thuresson (IMDb), Java’s Bachelor Pad, TCM, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
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Vintage postcard. Photo: Bud Fraker.
Swedish (but naturalized Italian) film actress Anita Ekberg (1931-2015) had a Hollywood career in the 1950s, but got her real breakthrough in Italy. As Miss Sweden 1950, she was contracted by studio mogul Howard Hughes. In Rome, she made film history as the sensual, curvaceous film goddess who dances in the Trevi Fountain in Fellini’s La Dolce Vita (1960).
For more postcards, a bio and clips check out our blog European Film Star Postcards.
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Collector's card, no. 668. Photo: Bud Fraker / Paramount.
Swedish film actress, party-girl and sex symbol Anita Ekberg (1931) was nicknamed The Iceberg. Miss Sweden 1950 was contracted by Howard Hughes, had a Hollywood career in the 1950s, but got her real breakthrough in Italy. She made film history as the sensual, curvaceous film goddess who dances in the Trevi Fountain in Fellini’s La Dolce Vita (1960).
For more postcards, a bio and clips check out our blog European Film Star Postcards.
Tags: Anita Ekberg Anita Ekberg Swedish Scandinavian Actress European Film Star Blonde Starlet Cinema Film Kino Cine Screen Picture Movie Movies Filmster Star Vintage Postcard Postkarte Carte Postale Cartolina Tarjet Postal Postkaart Ansichtkaart Allure Glamour Cheesecake Pin-up Sexy Bathingsuit Beachwear Swimwear Hot Bud Fraker Bud Fraker
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French postcard by EDUG, no. 133. Sent by mail in 1961. Photo: Bud Fraker. Publicity still for One-Eyed Jacks (Marlon Brando, 1961).
American film star Marlon Brando (1924-2004) was one of the greatest and most influential actors of all time. A cultural icon, Brando is most famous for his Oscar-winning performances as Terry Malloy in On the Waterfront (Elia Kazan, 1954) and Vito Corleone in The Godfather (1972). He initially gained popularity for recreating the role of Stanley Kowalski in the film A Streetcar Named Desire (Elia Kazan,1951), adapted from the Tennessee Williams play in which he became recognized as a Broadway star during its 1947–49 stage run. Then followed his Academy Award-winning performance as Terry Malloy in On the Waterfront (Elia Kazan, 1954), as well as for his iconic portrayal of the rebel motorcycle gang leader Johnny Strabler in The Wild One (Laslo Benedek, 1953), which is considered to be one of the most famous images in pop culture. Brando was nominated for the Oscar for playing Emiliano Zapata in Viva Zapata! (Elia Kazan, 1952); Mark Antony in the film adaptation of Shakespeare's Julius Caesar (Joseph L. Mankiewicz, 1953); and as Air Force Major Lloyd Gruver in Sayonara (Joshua Logan, 1957). Later he did influential performances in Reflections in a Golden Eye (John Huston, 1967), Last Tango in Paris (Bernardo Bertolucci, 1972) and Apocalypse Now (Francis Coppola, 1979). Brando was also an activist, supporting many causes, notably the African-American Civil Rights Movement and various American Indian Movements.
Sources: Wikipedia and IMDb.
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