British postcard in the Royal Shakespeare Company series, no. 27. Photo: Angus McBean. Publicity still for the stage production of MacBeth at Stratford-upon-Avon in 1955.
Sir Laurence Olivier (1907-1989) was one of the most famous and revered actors of the 20th century. The Brit played a wide variety of roles on stage and screen from Greek tragedy, Shakespeare and Restoration comedy to modern American and British drama. He got fourteen Oscar nominations, with two wins for Best Actor and Best Picture for Hamlet (1948), and two honorary awards.
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British postcard in the Shakespeare Memorial Theatre series, no. 7. Photo: Angus McBean. Diana Wynyard as Lady McBeth, Stratford-upon-Avon, 1949.
Elegant and aristocratic British actress Diana Wynyard (1906-1964) was a leading lady on the London stage. She also had a brief and largely unsatisfactory Hollywood career, but returned to the screen successfully in England in the first film version of Gas Light (1940), and although she didn't make many films, she had a secure place in the roll call of great British film stars.
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Tags: Diana Wynyard Diana Wynyard British English Actress European Film Star Cinema Film Cine Kino Picture Screen Movie Movies Filmster Star Vintage Postcard Carte Postale Cartolina Tarjet Postal Briefkarte Postkarte Postkaart Ansichtkaart Theatre Lady MacBeth Shakespeare Memorial Theatre series Shakespeare Angus McBean Angus McBean 1949
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British postcard in the Shakespeare Memorial Theatre series, no. 6. Photo: Angus McBean. Diana Wynyard and Anthony Quayle as Beatrice and Benedick in Much Ado About Nothing, Stratford-upon-Avon, 1949.
Elegant and aristocratic British actress Diana Wynyard (1906-1964) was a leading lady on the London stage. She also had a brief and largely unsatisfactory Hollywood career, but returned to the screen successfully in England in the first film version of Gas Light (1940), and although she didn't make many films, she had a secure place in the roll call of great British film stars.
For more postcards, a bio and clips check out our blog European Film Star Postcards
Tags: Diana Wynyard Diana Wynyard British English Actress Anthony Quayle Anthony Quayle Actor Acteur European Film Star Cinema Film Cine Kino Picture Screen Movie Movies Filmster Star Vintage Postcard Carte Postale Cartolina Tarjet Postal Briefkarte Postkarte Postkaart Ansichtkaart Theatre Angus McBean Angus McBean William Shakepeare Shakespeare Much Ado About Nothing
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British postcard by Acme Cards, London, no. AM 1. Photo: Angus McBean, 1951.
Audrey Hepburn was born Audrey Kathleen Ruston in Ixelles/Elsene, a municipality in Brussels, Belgium, in 1929. She was the only child of Joseph Victor Anthony Ruston, a Briton, and his second wife, the former Baroness Ella van Heemstra, a Dutch aristocrat, who was the daughter of a former governor of Dutch Guiana. Her father later used the surname of his maternal grandmother, Kathleen Hepburn, to the family and her surname became Hepburn-Ruston. Hepburn's father's job with a British insurance company meant the family travelled often between Brussels, England, and The Netherlands. In 1935, her parents divorced and her father, a Nazi sympathiser, left the family. In 1939, her mother moved her and her two half-brothers to their grandfather's home in Arnhem in the Netherlands, believing the Netherlands would be safe from a German attack. Hepburn attended the Arnhem Conservatory from 1939 to 1945, where she trained in ballet along with the standard school curriculum. In 1940, the Germans invaded the Netherlands. During the German occupation, Hepburn adopted the pseudonym Edda van Heemstra, modifying her mother's documents because an 'English-sounding' name was considered dangerous. By 1944, Audrey had become a proficient ballerina. She secretly danced for groups of people to collect money for the Dutch resistance. During the Dutch famine that followed, over the winter of 1944, people starved and froze to death in the streets. Hepburn and many others resorted to making flour out of tulip bulbs to bake cakes and biscuits. Hepburn's wartime experiences later led her to become involved with UNICEF. In 1945, after the war, Hepburn left the Arnhem Conservatory and moved to Amsterdam, where she took ballet lessons with Lithuanian-Dutch-Jewish dancer and choreographer Sonia Gaskell. Hepburn made her first film appearance in Nederlands in 7 lessen/Dutch in Seven Lessons (Charles Huguenot van der Linden, Heinz Josephson, 1948), a Dutch film made for KLM Royal Dutch Airlines. It had a film-within-the-film scenario involving a cameraman who's given a week to photograph the aerial highlights of Holland for a travelogue. Hepburn played the stewardess. She then travelled with her mother to London. Gaskell provided an introduction to Marie Rambert, and Hepburn studied ballet at the Ballet Rambert, supporting herself with part-time work as a model. Rambert warned her that she could not become a prima ballerina, because she was relatively tall (1.7m). Audrey decided to pursue an acting career instead.
In London, Audrey Hepburn played in musical theatre in productions such as High Button Shoes and Sauce Piquante. Her theatre work revealed that her voice was not strong and needed to be developed, and during this time she took elocution lessons with the actor Felix Aylmer. Part-time modelling work was not always available and Hepburn registered with the casting officers of Britain's film studios in the hope of getting work as an extra. Hepburn's first British film role was in the farce One Wild Oat (Charles Saunders, 1951) in which she played a hotel receptionist. She played several more small roles in Young Wives' Tale (Henry Cass, 1951), Laughter in Paradise (Mario Zampi, 1951), the classic crime comedy The Lavender Hill Mob (Charles Crichton, 1951), and the comedy Monte Carlo Baby (Jean Boyer, Lester Fuller, 1951). Monte Carlo Baby was shot at the same time as the French-language version, Nous irons à Monte Carlo (Jean Boyer, 1952). During the filming, Hepburn met the famous author Colette, who recommended her for the lead character of a stage version of her novel Gigi on Broadway. Colette reportedly said when she first saw Hepburn: "Voilà! There's our Gigi!" The play opened on 24 November 1951 and ran for 219 performances. Audrey won a Theatre World Award for her performance. Hepburn's first significant film performance was in the British crime drama Secret People (Thorold Dickinson, 1952), starring Valentina Cortese. Audrey played a prodigious ballerina and did all of her dancing scenes. Her first starring role was opposite Gregory Peck in the Italian-set Roman Holiday (William Wyler, 1953). Producers initially wanted Elizabeth Taylor for the role of Princess Ann, but director William Wyler was so impressed by Hepburn's screen test (the camera was left on and candid footage of Hepburn relaxing and answering questions, unaware that she was still being filmed, displayed her talents), that he cast her in the lead. For her enchanting role in Roman Holiday, she would win an Academy Award, a Golden Globe and a BAFTA. Paramount signed her to a seven-picture contract with twelve months in between films to allow her time for stage work.
After Roman Holiday, Audrey Hepburn filmed Sabrina (Billy Wilder, 1954) with Humphrey Bogart and William Holden. Hepburn was sent to a then-young and upcoming fashion designer Hubert de Givenchy to decide on her wardrobe. Their creative partnership endured for the remainder of Hepburn’s life. Audrey Hepburn wore De Givenchy creations in some of her most renowned films, such as How to Steal a Million (William Wyler, 1966) and Breakfast at Tiffany’s (Blake Edwards, 1961). In 1954, she returned to the stage to play the water sprite in Ondine in a performance with Mel Ferrer, who she would marry later in the year. She also won a Tony Award for her performance in Ondine (1954). Hepburn is one of only three actresses to receive a Best Actress Oscar and Best Actress Tony in the same year - the others were Shirley Booth and Ellen Burstyn. Audrey Hepburn was now one of the most successful film actresses in the world, but also a major fashion influence. Her gamine and elfin appearance and widely recognised sense of chic were both admired and imitated. She co-starred with such notable leading men as Henry Fonda in War and Peace (King Vidor, 1956), Fred Astaire in Funny Face (Stanley Donen, 1957), Maurice Chevalier and Gary Cooper in Love in the Afternoon (Billy Wilder, 1957), Anthony Perkins in Green Mansions (Mel Ferrer, 1959), and Burt Lancaster in The Unforgiven (John Huston, 1960). According to Denny Jackson at IMDb, "Audrey reached the pinnacle of her career when she played Holly Golightly in the delightful film Breakfast at Tiffany's (Blake Edwards, 1961). For this, she received another Oscar nomination." Opposite Shirley MacLaine, she starred in The Children's Hour (William Wyler, 1961). She scored another box office hit with the espionage caper Charade (Stanley Donen, 1963) with Cary Grant. One of her most radiant roles was as Eliza Doolittle in the film version of My Fair Lady (George Cukor, 1964), opposite Rex Harrison. She became only the third actor to receive $1,000,000 for a film role. She followed it with roles opposite Peter O'Toole in How to Steal a Million (William Wyler, 1966) and Albert Finney in Two for the Road (Stanley Donen, 1967). She received Academy Award nominations for Sabrina (1954), The Nun's Story (Fred Zinnemann, 1959), Breakfast at Tiffany's (1961) and Wait Until Dark (Terence Young, 1967), and won BAFTA Awards for her performances in The Nun's Story (1959) and Charade (1963). After Wait Until Dark (Terence Young, 1967) and 15 years of continuous success, she took a break from film-making from 1968 to 1975, mostly to spend more time with her two sons.
In 1976 Audrey Hepburn returned to the screen with Sean Connery in the period piece Robin and Marian (Richard Lester, 1976), which was moderately successful. Three years later she took the leading role in the international production Bloodline (Terence Young, 1979) based on a novel by Sidney Sheldon. The film, an international intrigue amid the jet set, was a critical and box office failure. Another commercial failure was the mad cap private-eye caper They All Laughed (Peter Bogdanovich, 1981). In 1989 she made her last film appearance as an angel in the romantic comedy Always (Steven Spielberg, 1989) starring Richard Dreyfuss. Her wartime experiences inspired her passion for humanitarian work, and although she had worked for the United Nations Children's Fund (UNICEF) since the 1950s, during her later life, she dedicated much of her time and energy to the organisation. From 1988 until 1992, she worked in some of the most profoundly disadvantaged communities of Africa, South America and Asia. In 1992, she was awarded the Presidential Medal of Freedom in recognition of her work as a UNICEF Goodwill Ambassador. After her divorce from American actor Mel Ferrer, Hepburn married Italian psychiatrist Dr. Andrea Dotti. She had a son with each – Sean (1960) by Ferrer, and Luca (1970) by Dotti. From 1980 until her death, she lived with the Dutch actor Robert Wolders. In 1993, Audrey Hepburn died of appendiceal cancer at her home in Tolochenaz, Switzerland at the age of 63. She was posthumously awarded The Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences for her humanitarian work. She received a posthumous Grammy Award for her spoken word recording, Audrey Hepburn's Enchanted Tales in 1994, and in the same year, won an Emmy Award for Outstanding Achievement for Gardens of the World with Audrey Hepburn, thereby becoming one of a few people to receive an Academy, Emmy, Grammy and Tony award. In 1999, she was ranked as the third greatest female star of all time by the American Film Institute.
Sources: Denny Jackson and Volker Boehm (IMDb), Gemeentemuseum Den Haag, Wikipedia and IMDb.
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British postcard in the Shakespeare Memorial Theatre series number 20. Photo: Angus McBean. Margaret Leighton as Ariel in 'A Midsummer Night's Dream', Stratford-upon-Avon, 1952.
Tall, reedy, thin-browed, light-haired Margaret Leighton (1922-1976) was a British award-winning theatre and film actress. She appeared with her future husband Michael Wilding in the Hitchcock film Under Capricorn (1949). She won two Tony Awards for Broadway performances as Best Actress (Dramatic): in 1957 for 'Separate Tables' and in 1962 for Tennessee Williams' 'The Night of the Iguana'. 'Leighton received an Oscar nomination and a BAFTA award for her role in The Go-Between (Joseph Losey, 1971). She also won an Emmy Award for a 1970 television version of 'Hamlet'.
Margaret Leighton was born in Barnt Green, Worchestershire, England, in 1922, the daughter of a businessman. Expressing an early desire to act, she quit school at age 15 and auditioned and joined Sir Barry Jackson's Birmingham Repertory Theatre. Becoming one of his star students, he hired her as a stage manager and offered her the small role of Dorothy in the stage play 'Laugh with Me' (1938). Thereby, the play marked her professional debut on stage. The play was immediately taken to the BBC-TV, Laugh with Me (Herbert C. Prentice, 1938). During these productive repertory years, she involved herself in the classical plays by Chekov, Shakespeare, and Shaw. In 1944, Margaret made her London debut for the Old Vic Company playing the daughter of the troll king in 'Peer Gynt'. Joining the company under the auspices of Sir Laurence Olivier and Sir Ralph Richardson, she earned distinction as a classical stage actress. In 1946, she made her Broadway debut as the Queen in 'Henry IV', starring Laurence Olivier and Ralph Richardson during a visit of the Old Vic to the U.S. The company performed a total of five plays from its repertoire before returning to London. The opulent actress with strikingly odd, yet fascinating facial features stole more than a few plays and films away from the stars with her stunning portrayals of neurotic, brittle matrons. Her unique brand of sophisticated eccentricity went on to captivate both Broadway and London audiences with her many theatre offerings, particularly her portrayals of Celia Coplestone in 'The Cocktail Party (1950) and Orinthia in a revival of 'The Apple Cart' (1953). Her New York performance as Mrs. Shankland in Terence Rattigan's drama 'Separate Tables' (1956) earned her a Tony Award. She returned to Broadway to play Beatrice in Shakespeare's 'Much Ado About Nothing' in 1959, before returning in 1962 as Hannah in 'The Night of the Iguana' and earning her second Best Actress Tony trophy. She would continue to return to Broadway throughout the 1960s with the plays 'Tchin-Tchin', 'The Chinese Prime Minister', 'Slapstick Tragedy' and the heralded production of 'The Little Foxes (1967)', first playing Birdie before taking over the role of Regina.
During the 1950s and 1960s, Margaret Leighton would alternate between British and U.S. filming. She made her British debut as Catherine Winslow in Terrence Rattigan's The Winslow Boy (Anthony Asquith, 1948) starring Robert Donat. Then she co-starred opposite David Niven in the period biopic Bonnie Prince Charlie (Anthony Kimmins, 1948). Hitchcock used her next in one of his lesser known romantic crime films Under Capricorn (Alfred Hitchcock, 1949) before entangling herself in a romantic triangle with Celia Johnson and Noël Coward in The Astonished Heart (1950), which was both written and directed by Coward. In the crimer Calling Bulldog Drummond (Victor Saville, 1951), Margaret plays a Scotland Yard sergeant who pulls the master sleuth (Walter Pidgeon) out of retirement to infiltrate a vicious gang together, while in the mystery crime drama, Home at Seven (Ralph Richardson, 1952), the touching drama The Holly and the Ivy (George More O'Ferrall, 1952) and the saucy comedy The Passionate Stranger (Muriel Box, 1957), she reunited with her Old Vic theatre mentor Sir Ralph Richardson. Richardson was her frequent co-star on both stage and screen. She had played Roxane to his Cyrano in the 1946 London stage revival of 'Cyrano de Bergerac', one of Richardson's greatest stage successes. Margaret married (1947) and divorced (1955) noted publisher Max Reinhardt (of Reinhardt & Evans), known for his collection of letters and photographs from playwright and novelist George Bernard Shaw. Her second husband would be actor Laurence Harvey who starred in the British crime thriller The Good Die Young (Lewis Gilbert, 1954) in which Margaret made a co-starring appearance as his abused wife. They would marry later in 1957.
Margaret Leighton earned her first top cinematic billing as Helen Teckman in The Teckman Mystery (Wendy Toye, 1954) and reunited with David Niven in the military film Carrington V.C. (Anthony Asquith, 1954). Playing a Southern aristocrat in the U.S. filming of William Faulkner's The Sound and the Fury (Martin Ritt, 1959) starring Yul Brynner, she followed that in the 1960s with a co-starring part opposite Peter Sellers in the comedy Waltz of the Toreadors (John Guillermin, 1962) and an all-star American cast headed by Henry Fonda in the potent political drama The Best Man (Franklin J. Schaffner, 1964). The black comedy The Loved One (Tony Richardson, 1965) and the dramatic 7 Women (John Ford, 1966), playing one of several ladies in peril at a Chinese mission, followed. Appearing in TV-movie versions of literary classics including 'Arms and the Man', 'As You LIke It' and 'The Confidential Clerk', Margaret began to make guest appearances on TV programs such as 'Suspicion,' 'Alfred Hitchcock Presents, 'The Alfred Hitchcock Hour', 'Playhouse 90', 'Ben Casey', 'Burke's Law', 'The F.B.I.', 'The Girl from U.N.C.L.E.' and 'Judd for the Defense', in addition to a recurring role on 'Dr. Kildare'. Divorced from Harvey in 1961, Margaret's third and final marriage to actor Michael Wilding in 1964 was an enduring matchup. The couple went on to co-star in the period piece Lady Caroline Lamb (Robert Bolt, 1972) starring Sarah Miles. Other notable screen credits around that time include The Madwoman of Chaillot (Bryan Forbes, 1969) and the TV movie, Great Expectations (Joseph Hardy, 1974) as Miss Havisham. Margaret would receive her only Oscar nomination for her support role in The Go-Between (Joseph Losey, 1971) starring Julie Christie and Alan Bates as Christie's manipulative, class-conscious mother. In 1971, Margaret was diagnosed with multiple sclerosis but didn't let it slow her down for quite some time. She continued to perform in such films as Zee and Co. (Brian G. Hutton, 1972) with Elizabeth Taylor, Bequest to the Nation (James Cellan Jones, 1973), and the TV horror offering Frankenstein: The True Story (Jack Smight, 1973). By 1975 when she was no longer capable of walking, she continued to act giving an over-the-top comic performance in Trial by Combat (Kevin Connor, 1976). Her final TV performance was in the first season of Space: 1999 where she played Queen Arra in the episode "Collision Course. She was awarded the CBE (Commander of the Order of the British Empire) in the 1974 Queen's Birthday Honours List for her services to drama. She breathed her last in 1976 in Chichester hospital in Chichester, Sussex, at the age of 56. Margaret Leighton had no children in any of her marriages.
Sources: Gary Brumburgh (IMDb), Wikipedia, and IMDb.
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