French poster postcard by Editions F. Nugeron, no. 81. Belgian poster by United Artists / Lichiert, Bruxelles. Dustin Hoffman and Jon Voight in Midnight Cowboy (John Schlesinger, 1969), released in France and Belgium as Macadam Cowboy (Asphalt Cowboy).

Dustin Hoffman (1937) is an Oscar-winning American actor with a career in film, television, and theatre since 1960. Hoffman has been known for his versatile portrayals of antiheroes and vulnerable characters. He has earned acclaim for his work in such films as The Graduate (1967), Kramer vs. Kramer (1979) and Rain Man (1988). Hoffman made his directorial debut with Quartet (2012).

American actor Jon Voight (1938) became a star playing the street hustler Joe Buck in the groundbreaking film Midnight Cowboy (1969). He had a successful career taking on challenging leading and character roles in a wide range of films and television shows. Voight is the father of actress Angelina Jolie and actor James Haven.

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French postcard by INPI. Photo: Robert Redford and Paul Newman in Butch Cassidy and the Sundance Kid (George Roy Hill, 1969).

With his all-American good looks, Robert Redford (1936) was one of the biggest Hollywood stars of the 1970s. In classics as Butch Cassidy and the Sundance Kid (1969), The Sting (1973) and All the President's Men (1976), he was the intelligent, reliable, sometimes sardonic good guy. He received two Oscars: one in 1981 for directing Ordinary People, and one for Lifetime Achievement in 2002. In 2010, the actor, director, producer, businessman, environmentalist, philanthropist, and co-founder of the Sundance Film Festival was appointed Chevalier of the Légion d'honneur in France.

Charles Robert Redford Jr. was born in Santa Monica, California in 1936. His parents were Martha W. (Hart) and Charles Robert Redford, Sr., a milkman-turned-accountant. Redford's family moved to Van Nuys, California, while his father worked in El Segundo. He attended Van Nuys High School and was interested in art and sports. After high school, he attended the University of Colorado for a year and a half. He travelled in Europe but decided on a career as a theatrical designer in New York. Enrolling at the American Academy of Dramatic Art he turned to acting. In 1959, Redford's acting career began on stage, making his Broadway debut with a small role in Tall Story. It was followed by parts in The Highest Tree (1959) and Sunday in New York (1961). On TV, he appeared as a guest star on numerous programs, including Maverick (1960), Perry Mason (1960), The Twilight Zone (1962), and The Untouchables (1963). Redford earned an Emmy nomination as Best Supporting Actor for his performance in The Voice of Charlie Pont (1962). Redford made his screen debut in War Hunt (Denis Sanders, 1962), set during the last days of the Korean War. This film also marked the acting debut of director Sydney Pollack, with whom Redford would collaborate on seven films. His biggest Broadway success was as the stuffy newlywed husband of Elizabeth Ashley in Neil Simon's Barefoot in the Park (1963). After this smash hit, he was cast in larger film roles. In the war comedy Situation Hopeless ... But Not Serious (Gottfried Reinhardt, 1965) with Alec Guinness, he played a soldier who has to spend years of his life hiding behind enemy lines. In Inside Daisy Clover (Robert Mulligan, 1965), he played a bisexual movie star who marries starlet Natalie Wood. It won him a Golden Globe for the best new star. A success was This Property Is Condemned (Sydney Pollack, 1966), again with Nathalie Wood. The same year saw he co-starred with Jane Fonda in The Chase (Arthur Penn, 1966), also with Marlon Brando. Fonda and Redford were paired again in the film version of Barefoot in the Park (Gene Saks, 1967) and were again co-stars much later in The Electric Horseman (Sydney Pollack, 1979).

After this initial success, Robert Redford became concerned about his stereotype image of the blond 'All American'. At the age of 32, he found the property he was looking for in Butch Cassidy and the Sundance Kid (George Roy Hill, 1969), scripted by William Goldman. For the first time, he was teamed with Paul Newman and it was a huge success. The film made him a major bankable star. Other critical and box office hits were Jeremiah Johnson (Sydney Pollack, 1972), the hugely popular period drama The Way We Were (Sydney Pollack, 1973) with Barbra Streisand, and the blockbuster crime caper The Sting (George Roy Hill, 1973), the biggest hit of his career, for which he was also nominated for an Oscar. Between 1974 and 1976, exhibitors voted Redford as Hollywood's top box-office name with such hits as The Great Gatsby (Jack Clayton, 1974) and Three Days of the Condor (Sydney Pollack, 1975) with Faye Dunaway. The popular and acclaimed All the President's Men (Alan J. Pakula, 1976), directed by and scripted once again by Goldman, was a landmark film for Redford. Not only was he the executive producer and co-star, but the film's serious subject matter—the Watergate scandal—and its attempt to create a realistic portrayal of journalism, also reflected the actor's offscreen concerns for political causes. He also appeared in the war film A Bridge Too Far (Richard Attenborough, 1977) before starring in the prison drama Brubaker (Stuart Rosenberg, 1980), playing a prison warden attempting to reform the system, and the baseball drama The Natural (Barry Levinson, 1984). With his enormous salaries, he acquired Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has now become one of the world's most influential.

Robert Redford continued his involvement in mainstream Hollywood movies, though with a newfound focus on directing. The first film he directed, Ordinary People (1980), which followed the disintegration of an upper-class American family after the death of a son, was one of the most critically and publicly acclaimed films of the decade, winning a number of Oscars, including the Academy Award for Best Director for Redford himself, and Best Picture. His follow-up directorial project, The Milagro Beanfield War (1987), failed to generate the same level of attention. Out of Africa (Sydney Pollack, 1985), with Redford and Meryl Streep, became an enormous critical and box office success and won seven Oscars including Best Picture. It was Redford's biggest success of the decade and Redford and Pollack's most successful film together. Redford continued as a major star throughout the 1990s and 2000s. His third film as a director, A River Runs Through It (1992) with the young Brad Pitt was a mainstream success. Then, he starred in Indecent Proposal (Adrian Lyne, 1993) as a millionaire businessman who tests a couple's (Demi Moore and Woody Harrelson) morals. It became one of the year's biggest hits. His film Quiz Show (Robert Redford, 1994), starring Ralph Fiennes and Rob Morrow, earned him yet another Best Director nomination. He co-starred with Michelle Pfeiffer in the newsroom romance Up Close & Personal (Jon Avnet, 1996), and with Kristin Scott Thomas in The Horse Whisperer (1998), which he also directed. Redford also continued work in films with political contexts, such as Havana (Sydney Pollack, 1990), playing Jack Weil, a professional gambler in 1959 Cuba during the Revolution, as well as the caper Sneakers (Phil Alden Robinson, 1992), with River Phoenix. He reteamed with Brad Pitt for Spy Game (Tony Scott, 2001). Redford stepped back into producing with The Motorcycle Diaries (Walter Salles, 2004), a coming-of-age road film about a young medical student, Ernesto 'Che' Guevera, and his friend Alberto Granado. He reteamed with Meryl Streep 22 years after they starred in Out of Africa, for his personal project Lions for Lambs (Robert Redford, 2007), which also starred Tom Cruise. The film disappointed at the box office. Recently, he starred in All Is Lost (J.C. Chandor, 2013) about a man lost at sea. He received very high acclaim for his performance in the film, in which he is its only cast member and has almost no dialogue. Next, he appeared in the Marvel Studios superhero film Captain America: The Winter Soldier playing Alexander Pierce (Anthony Russo, Joe Russo, 2014). More recently, he appeared in such films as A Walk in the Woods (Ken Kwapis, 2015) with Nick Nolte and Emma Thompson, Truth (James Vanderbilt, 2015) with Cate Blanchett, The Discovery (Charlie McDowell, 2017) with Mary Steenburgen, and Avengers: Endgame (Anthony Russo, Joe Russo, 2019) with Robert Downey Jr. Between 1958 and 1985, Robert Redford was married to Lola Van Wagenen. The couple had four children: Scott Anthony (1959 - he died of sudden infant death syndrome, aged 2½ months), painter Shauna Jean Redford (1960), writer and producer David 'Jamie' James (1962), and director, and producer Amy Hart Redford (1970). Redford has seven grandchildren. In 2009, Redford married his long-time partner, German painter Sibylle Szaggars. In 2011, Alfred A. Knopf published 'Robert Redford: The Biography' by Michael Feeney Callan, written over fifteen years with Redford's input, and drawn from his personal papers and diaries.

Sources: Wikipedia and IMDb.

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Dutch postcard. Photo: publicity still for Bonnie and Clyde (Arthur Penn, 1967).

American film actress Faye Dunaway (1941) is a classic beauty with high cheekbones and a husky resonant voice. She had her breakthrough as Bonnie Parker in Bonnie and Clyde (1967) and became one of Hollywood's biggest stars of the 1970s with Chinatown (1974), Three Days of the Condor (1975) and Network (1976), for which she won the Oscar.

Dorothy Faye Dunaway was born on a farm in Bascom, Florida in 1941, the daughter of Grace April (Smith), a housewife, and John MacDowell Dunaway, Jr., an army officer. After high school she majored in education at the University of Florida, but switched to theatre arts and transferred to Boston University, earning her degree in 1962. In 1962, at the age of 21, she took acting classes at the American National Theater and Academy. She did four plays on Broadway over the next three years. Her first screen appearance was on the short-lived TV drama series Seaway (1965). Dunaway's first screen role was in The Happening (Elliot Silverstein, 1967), which starred Anthony Quinn. That role was followed by a supporting role in the drama Hurry Sundown (Otto Preminger, 1967), co-starring Michael Caine and Jane Fonda. While she had difficulties with Preminger, her performance was well-received and she was nominated for a Golden Globe Award for Best New Star of the Year. Then she skyrocketed to fame as the bank robber Bonnie Parker in the pop culture juggernaut Bonnie and Clyde (Arthur Penn, 1967), with Warren Beatty. The film, though controversial, was a smash hit, and elevated Dunaway to stardom. For her part Dunaway earned her first Academy Award nomination. She lost to Katherine Hepburn, but won the BAFTA Award for Best Newcomer. From then on she was in demand everywhere, holding her own against Steve McQueen in the caper film The Thomas Crown Affair (Norman Jewison, 1968). The film was immensely popular, and was famed for a scene where Dunaway and McQueen play a chess game and silently engage in heavy seduction of each other across the board. She then took on a role in the Italian film, Amanti/A Place for Lovers (Vittorio De Sica, 1968). Dunaway played a terminally ill fashion designer who has a doomed romance with an Italian race car driver (Marcello Mastroianni). Dunaway and Mastroianni fell in love in reality too and had a two-year-affair.

Faye Dunaway had another success with the villainous role of Milady de Winter in an all-star adaptation of Alexandre Dumas' The Three Musketeers, starring Michael York, Oliver Reed, Richard Chamberlain, Raquel Welch, and Dunaway. After filming, the makers decided to split the film into two parts: The Three Musketeers (Richard Lester, 1973) and The Four Musketeers (Richard Lester, 1974). Critics and audiences alike praised the film for its action and its comic tone, and it was the first in a line of successful projects for Dunaway. Roman Polanski offered Dunaway the lead role of Evelyn Mulwray in his mystery neo-noir Chinatown (1974). Mulwray is a shadowy femme fatale who knows more than she is willing to let Detective J.J. Gittes (played by Jack Nicholson) know. The film made back its budget almost five times, and received 11 Academy Award nominations. Dunaway received a second Best Actress nomination, and also received a Golden Globe nomination and a BAFTA nomination. Dunaway's next project was the all-star disaster epic The Towering Inferno (John Guillermin, 1974). She played the role of Paul Newman's girlfriend, who is trapped in a burning skyscraper along with several other hundred people. The film became the highest grossing film of the year, furthering cementing Dunaway as a top actress in Hollywood. It was also in 1974 that Dunaway married Peter Wolf, who was the lead singer of the rock group The J. Geils Band. In 1975, Dunaway joined Robert Redford in the political thriller Three Days of the Condor (Sydney Pollack, 1975). A significant critical and commercial success, the film continues to be praised. Dunaway's performance was very well regarded.
In 1976 she finally won the Oscar for the satire Network (Sidney Lumet, 1976) as the scheming TV executive Diana Christensen, a ruthless woman who will do anything for higher ratings. She returned to the screen in Eyes of Laura Mars (John Carpenter, 1978), a thriller about a fashion photographer who sees visions of a killer murdering people.

Faye Dunaway's tour de force as Joan Crawford in Mommie Dearest (Frank Perry, 1981) marked her last chapter as a top tier actress. The film is an adaptation of Christina Crawford's controversial memoirs, Mommie Dearest. Christina Crawford's book had depicted her adopted mother as an abusive tyrant, who only adopted her four children to promote her career, and it made quite a stir as the first celebrity tell-all book. Though the film was poorly received by the critics at the time, Dunaway's performance received mixed reviews. The film was later seen as a camp classic. the American Film Institute named Dunaways' interpretation to be one of the greatest villainous characters in cinema history and the infamous line, "No wire hangers, ever!" to be one of the most memorable film quotes of all time. After a remake of The Wicked Lady (Michael Winner, 1983), Dunaway played another villain in the superhero film, Supergirl (Jeannot Szwarc, 1984). Both films flopped. A late career highlight came with the critically acclaimed drama Barfly (Barbet Schroeder, 1987), a semi-autobiography of poet/author Charles Bukowski (played by Mickey Rourke) during the time he spent drinking heavily in Los Angeles. From then on she appeared in several independent films. She appeared with Ornella Muti in Wait Until Spring, Bandini (Dominique Deruddere, ) and with Robert Duvall and Natasha Richardson in The Handmaid's Tale (Volker Schlöndorff, 1990). Then followed the sequel to Chinatown (1974), he Two Jakes (1990), directed by and starring Jack Nicholson. The film was not a box office or critical success. She starred alongside Johnny Depp and Jerry Lewis in Serbian director Emir Kusturica's surreal comedy-drama Arizona Dream (1993). Dunaway appeared with Depp and Marlon Brando in the romantic comedy Don Juan DeMarco (Jeremy Leven, 1995). A hit at the box office, the film was praised for its romance and the performances of the three main characters. She returned to the stage in 1996, playing famed opera singer Maria Callas in the Tony Award winning play Master Class by Terrence McNally. Dunaway toured the play through the United States. Dunaway was nominated for a Golden Raspberry Award as Worst Supporting Actress for her part in the crime thriller Albino Alligator (Kevin Spacey, 1997) with Matt Dillon. In 1998, she starred with Angelina Jolie in Gia (Michael Christofer, 1998), about the tragic life of model Gia Marie Carangi, which would win Dunaway a third Golden Globe and win Jolie both a Golden Globe and an Emmy. She played a small part in the remake of The Thomas Crown Affair (John McTiernan, 1999) with Pierce Brosnan. In 2002, she played Ian Somerhalder's mother in The Rules of Attraction (Roger Avary, 2002), based on the novel by Bret Easton Ellis. Faye Dunaway continues to act, mostly in B-films and European films like the campy British horror film Flick (David Howard, 2008) and the Polish thriller Balladyna/The Bait (Dariusz Zawiślak, 2009). After her divorce from Peter Wolf in 1979, Faye Dunaway was married from 1983 till 1987 to British photographer Terry O'Neill. She and O'Neill have one child, Liam O'Neill (1980). In 2003, despite Dunaway's earlier claims that she had given birth to Liam, Terry claimed that Liam was adopted.

Sources: Wikipedia and IMDb.

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Dutch postcard. Photo: Warren Beatty and Faye Dunawayin Bonnie and Clyde (Arthur Penn, 1967).

American film actress Faye Dunaway (1941) is a classic beauty with high cheekbones and a husky resonant voice. She had her breakthrough as Bonnie Parker in Bonnie and Clyde (1967) and became one of Hollywood's biggest stars of the 1970s with Chinatown (1974), Three Days of the Condor (1975) and Network (1976), for which she won the Oscar.

Dorothy Faye Dunaway was born on a farm in Bascom, Florida in 1941, the daughter of Grace April (Smith), a housewife, and John MacDowell Dunaway, Jr., an army officer. After high school she majored in education at the University of Florida, but switched to theatre arts and transferred to Boston University, earning her degree in 1962. In 1962, at the age of 21, she took acting classes at the American National Theater and Academy. She did four plays on Broadway over the next three years. Her first screen appearance was on the short-lived TV drama series Seaway (1965). Dunaway's first screen role was in The Happening (Elliot Silverstein, 1967), which starred Anthony Quinn. That role was followed by a supporting role in the drama Hurry Sundown (Otto Preminger, 1967), co-starring Michael Caine and Jane Fonda. While she had difficulties with Preminger, her performance was well-received and she was nominated for a Golden Globe Award for Best New Star of the Year. Then she skyrocketed to fame as the bank robber Bonnie Parker in the pop culture juggernaut Bonnie and Clyde (Arthur Penn, 1967), with Warren Beatty. The film, though controversial, was a smash hit, and elevated Dunaway to stardom. For her part Dunaway earned her first Academy Award nomination. She lost to Katherine Hepburn, but won the BAFTA Award for Best Newcomer. From then on she was in demand everywhere, holding her own against Steve McQueen in the caper film The Thomas Crown Affair (Norman Jewison, 1968). The film was immensely popular, and was famed for a scene where Dunaway and McQueen play a chess game and silently engage in heavy seduction of each other across the board. She then took on a role in the Italian film, Amanti/A Place for Lovers (Vittorio De Sica, 1968). Dunaway played a terminally ill fashion designer who has a doomed romance with an Italian race car driver (Marcello Mastroianni). Dunaway and Mastroianni fell in love in reality too and had a two-year-affair.

Faye Dunaway had another success with the villainous role of Milady de Winter in an all-star adaptation of Alexandre Dumas' The Three Musketeers, starring Michael York, Oliver Reed, Richard Chamberlain, Raquel Welch, and Dunaway. After filming, the makers decided to split the film into two parts: The Three Musketeers (Richard Lester, 1973) and The Four Musketeers (Richard Lester, 1974). Critics and audiences alike praised the film for its action and its comic tone, and it was the first in a line of successful projects for Dunaway. Roman Polanski offered Dunaway the lead role of Evelyn Mulwray in his mystery neo-noir Chinatown (1974). Mulwray is a shadowy femme fatale who knows more than she is willing to let Detective J.J. Gittes (played by Jack Nicholson) know. The film made back its budget almost five times, and received 11 Academy Award nominations. Dunaway received a second Best Actress nomination, and also received a Golden Globe nomination and a BAFTA nomination. Dunaway's next project was the all-star disaster epic The Towering Inferno (John Guillermin, 1974). She played the role of Paul Newman's girlfriend, who is trapped in a burning skyscraper along with several other hundred people. The film became the highest grossing film of the year, furthering cementing Dunaway as a top actress in Hollywood. It was also in 1974 that Dunaway married Peter Wolf, who was the lead singer of the rock group The J. Geils Band. In 1975, Dunaway joined Robert Redford in the political thriller Three Days of the Condor (Sydney Pollack, 1975). A significant critical and commercial success, the film continues to be praised. Dunaway's performance was very well regarded.
In 1976 she finally won the Oscar for the satire Network (Sidney Lumet, 1976) as the scheming TV executive Diana Christensen, a ruthless woman who will do anything for higher ratings. She returned to the screen in Eyes of Laura Mars (John Carpenter, 1978), a thriller about a fashion photographer who sees visions of a killer murdering people.

Faye Dunaway's tour de force as Joan Crawford in Mommie Dearest (Frank Perry, 1981) marked her last chapter as a top tier actress. The film is an adaptation of Christina Crawford's controversial memoirs, Mommie Dearest. Christina Crawford's book had depicted her adopted mother as an abusive tyrant, who only adopted her four children to promote her career, and it made quite a stir as the first celebrity tell-all book. Though the film was poorly received by the critics at the time, Dunaway's performance received mixed reviews. The film was later seen as a camp classic. the American Film Institute named Dunaways' interpretation to be one of the greatest villainous characters in cinema history and the infamous line, "No wire hangers, ever!" to be one of the most memorable film quotes of all time. After a remake of The Wicked Lady (Michael Winner, 1983), Dunaway played another villain in the superhero film, Supergirl (Jeannot Szwarc, 1984). Both films flopped. A late career highlight came with the critically acclaimed drama Barfly (Barbet Schroeder, 1987), a semi-autobiography of poet/author Charles Bukowski (played by Mickey Rourke) during the time he spent drinking heavily in Los Angeles. From then on she appeared in several independent films. She appeared with Ornella Muti in Wait Until Spring, Bandini (Dominique Deruddere, ) and with Robert Duvall and Natasha Richardson in The Handmaid's Tale (Volker Schlöndorff, 1990). Then followed the sequel to Chinatown (1974), he Two Jakes (1990), directed by and starring Jack Nicholson. The film was not a box office or critical success. She starred alongside Johnny Depp and Jerry Lewis in Serbian director Emir Kusturica's surreal comedy-drama Arizona Dream (1993). Dunaway appeared with Depp and Marlon Brando in the romantic comedy Don Juan DeMarco (Jeremy Leven, 1995). A hit at the box office, the film was praised for its romance and the performances of the three main characters. She returned to the stage in 1996, playing famed opera singer Maria Callas in the Tony Award winning play Master Class by Terrence McNally. Dunaway toured the play through the United States. Dunaway was nominated for a Golden Raspberry Award as Worst Supporting Actress for her part in the crime thriller Albino Alligator (Kevin Spacey, 1997) with Matt Dillon. In 1998, she starred with Angelina Jolie in Gia (Michael Christofer, 1998), about the tragic life of model Gia Marie Carangi, which would win Dunaway a third Golden Globe and win Jolie both a Golden Globe and an Emmy. She played a small part in the remake of The Thomas Crown Affair (John McTiernan, 1999) with Pierce Brosnan. In 2002, she played Ian Somerhalder's mother in The Rules of Attraction (Roger Avary, 2002), based on the novel by Bret Easton Ellis. Faye Dunaway continues to act, mostly in B-films and European films like the campy British horror film Flick (David Howard, 2008) and the Polish thriller Balladyna/The Bait (Dariusz Zawiślak, 2009). After her divorce from Peter Wolf in 1979, Faye Dunaway was married from 1983 till 1987 to British photographer Terry O'Neill. She and O'Neill have one child, Liam O'Neill (1980). In 2003, despite Dunaway's earlier claims that she had given birth to Liam, Terry claimed that Liam was adopted.

Sources: Wikipedia and IMDb.

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Vintage postcard. American poster by United Artists of The Graduate (Mike Nichols, 1967) with Dustin Hoffman and Anne Bancroft.

Dustin Hoffman (1937) is an Oscar-winning American actor with a career in film, television, and theatre since 1960. Hoffman has been known for his versatile portrayals of antiheroes and vulnerable characters. He has earned acclaim for his work in such films as The Graduate (1967), Kramer vs. Kramer (1979) and Rain Man (1988). Hoffman made his directorial debut with Quartet (2012).

Anne Bancroft (1931-2005), was an American stage and film actress. She made her breakthrough with the general public with her role as Mrs. Robinson in The Graduate (1967). She also appeared in several films directed or produced by her husband, Mel Brooks.

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